ISSUE Project Room
ISSUE Project Room (often shortened to ISSUE) is a music venue in Brooklyn, New York, founded in 2003 by Suzanne Fiol. ISSUE Project room owns a theatre in 110 Livingston Street in Downtown Brooklyn. The venue supports a wide variety of contemporary performance, specializing in presenting experimental and avant-garde music. History and programming
By 2005, ISSUE was presenting 100 arts events annually featuring artists from several disciplines. At that time, ISSUE moved into a two-story silo in near the Gowanus Canal. Site-specific works utilizing a specially made 16-channel hemispherical speaker system made by sound artist Stephan Moore were added to ISSUE's programming at the Silo. In 2007, ISSUE relocated to the Old American Can Factory due to a rent increase at its Silo. In 2008, ISSUE entered and won a competition for a twenty-year rent-free lease to the 4,800 sq. ft. theater located at 22 Boerum Place, on the ground floor of the historic Beaux-Arts McKim, Mead & White “110 Livingston Street” building in downtown Brooklyn,[1] to create a "Carnegie Hall for the avant-garde".[1] Fiol died of cancer in October 2009.[1] In June 2012, Zach Layton and Nick Hallett performed Anthony Braxton's opera Trillium E, Pauline Oliveros's eight-handed piano piece "Gathering Together", and the New York City premiere of two works by French electro-acoustic artist Luc Ferrari.[2] In 2012, ISSUE began to work with the NYC Department of Design and Construction to prepare for renovations. Notable performances at the Boerum Place theater include Cecil Taylor's first performance in Brooklyn, a three-night series of Philip Glass in collaboration with Stephin Merritt, Laurie Anderson, and Jon Gibson, Keiji Haino performing solo and with Fushitsusha founding member Tamio Shiraishi, and the PAN_ACT festival, which brought together over 30 artists in conjunction with the Berlin-based label PAN. ISSUE completed its capital campaign in 2012 by raising over $4,000,000 to renovate its space, scheduled to begin in 2014.[3] References
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