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Frances Browne
Frances Browne (16 January 1816 – 21 August 1879) was an Irish poet and novelist, best remembered for her collection of short stories for children, Granny's Wonderful Chair. Early lifeShe was born at Stranorlar, in County Donegal, Ireland, the seventh child in a family of twelve children. Her father was the town's first postmaster. She was blind as a consequence of an attack of smallpox when she was 18 months old. In her writings, she recounts how she learned by heart the lessons which her brothers and sisters said aloud every evening, and how she bribed them to read to her by doing their chores. She then worked hard at memorising all that she had heard. She composed her first poem, a version of "The Lord's Prayer", when she was seven years of age.[1] First publicationsIn 1841, Browne's first poems were published in the Irish Penny Journal. These included the lyric "Songs of Our Land", which can be found in anthologies of Irish patriotic verse.[2] In the following months, she published poems in the London literary magazine the Athenaeum. According to Alexis Easley, "almost all of the poems Brown published in the Athenaeum were immediately reprinted in periodicals and newspapers," thus bringing her work to an even wider audience.[3] Browne published her first volume of poetry, The Star of Attéghéi, the Vision of Schwartz, and other Poems, in 1844. The volume received mostly positive reviews. However, as Heather Tilley has noted, early commentary on Browne’s work was "characterized by its fascination with the way in which an individual with effectively no visual memory was able to become a writer and, moreover, a writer who could accurately convey visual concepts and images."[4] The provincial newspapers, especially the Belfast-based Northern Whig, reprinted many of her poems, and she became widely known as 'The Blind Poetess of Ulster'. In December 1844, Prime Minister Robert Peel granted her an annual pension of twenty pounds.[5] In March 1845, she made her first contribution to the popular magazine Chambers's Edinburgh Journal. It was a short story called "The Lost New Year's Gift", which tells of a poor dressmaker in London. She continued to write for Chambers's for the next 25 years.[1] Emigration to Edinburgh and London In 1847, Browne left Donegal for Edinburgh with her sister Rebecca, who also served as her amanuensis. She quickly established herself in literary circles and, in spite of health problems, wrote essays, reviews, stories, and poems. While in Edinburgh she published her second poetry collection, Lyrics and Miscellaneous Poems (1848), which she dedicated to Robert Peel. She also published a series of twelve "Legends of Ulster", which appeared between 1849 and 1851 in Tait's Edinburgh Magazine.[5] Raymond Blair has argued that, while most of the legends “focus on the intervention of dark supernatural powers,” they also exhibit “sympathy for the oppressed” and especially for "disadvantaged young women.”[6] Browne regularly contributed short stories to magazines with a largely female readership, including a number to the Ladies' Companion, a magazine read by many well-to-do women of the Victorian era. Her earliest contribution, made when Jane Loudon was the magazine's editor, was "Barbara's Satin: A Tale of the Cumberland Peasantry" (April 13, 1850). Later contributions included the amusing "Mrs Sloper's Swan" (October 1853) and an eerie tale set in County Fermanagh, called "The Botheration of Ballymore" (April 1855). In 1852, she moved to London. Around this time her sister Rebecca married, and Browne "established a partnership with Emma Eliza Hickman, who served as her companion and amanuensis for the rest of her life."[3] In 1856 her third volume of poetry appeared, Pictures and Songs of Home, which was directed at very young children and contains beautiful illustrations. The poems focus on her childhood experiences in County Donegal and provide evocative descriptions of its countryside.[1] Her best known work, Granny's Wonderful Chair, was published the following year. A richly imaginative collection of fairy stories, illustrated by Kenny Meadows,[7] it has been translated into several languages.[1] According to Humphrey Carpenter and Mari Prichard, it "contains some of the best original short fairy tales of its period."[8] Browne published her first novel, My Share of the World, in 1861. A second three-volume novel, The Castleford Case, quickly followed in 1862. Despite her impressive productivity, Browne struggled with her finances. The Royal Literary Fund awarded Browne “fifty pounds in November 1860, forty pounds in April 1863, [and] thirty pounds in November 1866.” Even with this assistance, she declared bankruptcy in April 1867.[5] Later life and posthumous controversyIn London, Browne wrote frequently for the Religious Tract Society's periodicals The Leisure Hour and The Sunday at Home. One of those in The Leisure Hour was "1776: a tale of the American War of Independence", which appeared on the centenary of that event in 1876. As well as describing some of the revolutionary events, it is a love story and beautifully illustrated.[1] Her last piece of writing was a poem called "The Children's Day", which appeared in The Sunday at Home in 1879. Frances Browne died on 21 August 1879 at 19 St John's Grove, Richmond upon Thames. She left all of her assets, which amounted to less than £100, to her companion Emma Eliza Hickman.[3] She was buried in Richmond Old Burial Ground on 25 August 1879.[9] In 1886-87, the British-American writer Frances Hodgson Burnett published a fairy tale called “The Story of Prince Fairyfoot”. It appeared over three issues of the American magazine for children, St. Nicholas. A reader noticed that the story had been plagiarised from Browne's “The Story of Fairyfoot" in Granny’s Wonderful Chair. Burnett apologised, stating that she remembered the story from her childhood but had been unable to find a copy of the source book. She had intended the story to appear with the subtitle, "Stories from the Lost Fairy-Book". Seventeen years later, in 1904, and after the work was out of copyright, Burnett wrote an introduction for a new edition of Granny’s Wonderful Chair. Many more editions of the book would appear in the following decades.[10] Legacy Since 2021, the Frances Browne Literary Festival has been an annual event in the twin towns of Stranorlar and Ballybofey. The festival, which takes place in October, “celebrates the rich cultural and literary heritage of East Donegal.” It includes lectures, musical performances, and a multilingual poetry competition, with awards for poems in English, Irish, and Ulster Scots. Recent guests have included Annemarie Ní Churreáin and Nessa O'Mahony.[11] Further readingThe most detailed biography is The Life and Works of Frances Browne by Patrick Bonar, self-published c. 2008.[12] Raymond Blair edited an anthology of Browne's poems, short stories and essays: The Best of Frances Browne (Limavady: Rathmore Books, c. 2012). Thomas McLean examines her longest poem, "The Star of Attéghéi", and its relationship to the war in Circassia in a 2012 monograph, The Other East and Nineteenth-Century British Literature.[13] Raymond Blair summarises and analyses five of Browne's "Legends of Ulster" in his 2008 Donegal Annual article "Frances Browne and the Legends of Ulster"[6] Browne's career is treated by Paul Marchbanks in Irish Women Writers: An A-to-Z Guide[14] and by Linde Lunney in the Dictionary of Irish Biography, published under the auspices of the Royal Irish Academy.[15] Works
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