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In 1899, he married Suzanne Hecht (1876-1956), with whom he had three children: Thérèse (1900-1989), Jean (1902-1940) and Michel (1908-1944).
During the Nazi occupation of France, his sons Michel Pontremoli and Jean Pontremoli enlisted and fought with the French partisan force. In 1944, they both died at the hands of the Nazis.[5]
Pontremoli and his wife collected art.[6] The Avenue Emmanuel Pontremoli in Nice is named in his memory.
Gallery
Villa Kérylos, Beaulieu-sur-Mer
Institute for Human Paleontology, Paris
References
^Bilsel, Can (19 July 2012). Antiquity on display : regimes of the authentic in Berlin's Pergamon Museum. Oxford: Oxford University Press. p. 114. ISBN9780199570553.
^Jacques, Annie (2002). "French architects and the Prix de Rome". Ruins of ancient Rome : the drawings of French architects who won the Prix de Rome, 1786-1924. By Roberto Cassanelli; Massimiliano David; Emidio De Albentiis; Annie Jacques. David, Massimiliano (ed.). Los Angeles, California: J.P. Getty Museum. p. 19. ISBN9780892366804. Modernity in architecture became apparent with the rise of new programs, new materials such as glass and steel, pure aesthetics, and a special attention to urban planning. The Ecole des Beaux-Arts gradually adapted to these trends. The architect Emmanuel Pontremoli (1865–1956, winner of the Grand Prix in 1890) 'became the author of the mediation between the conservative atmosphere of the Academie des beaux-arts and the more innovative opportunities in teaching material.' He was director from 1932 to 1937
