Edward Chandler Moore

Edward C. Moore by Charles Calverley, 1894

Edward Chandler Moore (August 30, 1827 – August 2, 1891) was an American silversmith, art collector, and benefactor of the Metropolitan Museum of Art.

Early life

Moore was born in New York City where his father, John Chandler Moore, was a silversmith, and learned his craft in his father's shop. From 1848 to 1851 he was a partner in the business, and when his father retired, Moore inherited the business.^[citation needed]

Career

Moore entered an exclusive contract with Tiffany & Co. under which he would work exclusively for Tiffany's as an independent, outside craftsman. In 1868 he joined the firm, working as the firm's chief silver designer until his death 1891.[1][2] Moore made many improvements in manufacturing processes, adding flatware to Tiffany's silver catalog in 1869.

He won a gold medal at the Exposition Universelle in 1867 for his exhibit of silverware,^[citation needed] another medal at the Centennial Exposition in 1876,^[citation needed] and a special gold medal in 1878 in Paris.^[citation needed] In 1889 he was awarded the Legion of Honor.^[citation needed]

Art collection

Moore amassed a collection of art, with a focus on art from Japan, the Islamic world and ancient Greece and Rome.[3]

His collection contains somewhere between 1,600 and 1,700 pieces. He first began to study objects to help inform his designs, and subsequently began to collect them. At one time he devoted his attention to Japanese and Chinese porcelains, and later old Persian wares. Over time he became interested in old glass and lusterware porcelains which now form an especially rich part of the collection. His collection includes antique Roman, Cyprian, Etruscan, Merovingian, Venetian, Persian, Arab, German, and Spanish glass; Chinese, Japanese, Korean, Hispano-Moresque, Rhodian, Damascus, and Persian ceramics; Persian, Turkish, and Indian metalwork, including Saracenic metal work of the twelfth and thirteenth centuries, as well as Chinese and Japanese bronzes, swords and sword-guards; Japanese inro, netsuke, lacquer ware, and wood and ivory carvings; and Oriental jewelry, Persian lacquer, antique French and Venetian inlaid straw work, and a fine collection of Tanagra figurines.^[citation needed]

He bequeathed many objects from his collection to New York's Metropolitan Museum of Art.[4]

New York's Metropolitan Museum of Art, hosted an exhibition of Moore's work in 2020, describing Moore as "the creative force who led Tiffany & Co. to unparalleled originality and success during the second half of the nineteenth century."[3]

He died in his summer house at Hastings-on-Hudson, New York.^[citation needed]

References

1. "Antiques: A golden age of silver". New York Times. 13 September 1987. Retrieved 1 January 2020.
2. "A Movement that Brightened Victorian Lives". New York Times. 18 January 2008. Retrieved 1 January 2020.
3. "Collection Inspiration; Edward C. Moore at Tiffany & Co". Metropolitan Museum of Art. Retrieved 1 January 2020.
4. "Bamboo Japanese-style". New York Times. 3 August 2017. Retrieved 1 January 2020.

Further reading

• "Moore, Edward Chandler", American National Biography.
• "Edward Chandler Moore", American Silversmiths.
• "The Edward C. Moore Collection", in The Collector, Vol. 3, No. 13, May 1, 1892, pages 199-201.
• "Edward C. Moore and Tiffany Islamic-Style Silver, c. 1867–1889", Elizabeth L. Kerr Fish, in Studies in the Decorative Arts, Vol. 6, No. 2, 1999, pages 42-63.
• The Great Chinese Art Transfer: How So Much of China's Art Came to America, Michael St. Clair, Rowman & Littlefield, 2016, pages 151-152.