Douglas Matthew Davis, Jr. (April 11, 1933 – January 16, 2014) was an American artist, critic, teacher, and writer for among other publications Newsweek.[1]
Artistic career
In 1977, at the opening of documenta 6, alongside Nam June Paik and Joseph Beuys, Douglas Davis took part in one of the first international satellite telecasts with his live performance The Last Nine Minutes. Davis received grants for his work by the Rockefeller Foundation, the National Endowment for the Arts & the Trust for Mutual Understanding, among other institutions.
Early internet works
His exploration of interactivity involving various media continued throughout the 1980s and 1990s. He is the author of one of the earliest art pieces on the World Wide Web, The World's First Collaborative Sentence (1994). His early work is featured on his website, The World's First Collaborative Sentence (1994), with elements from his exhibition InterActions 1967-1981. They include critical essays by Susan Hoeltzel, Michael Govan, David Ross, and Nam June Paik. Commissioned by the Lehman College Art Gallery, the Sentence was given by its collectors, Barbara and Eugene M. Schwartz, to the Whitney Museum of American Art. In 1997, P.S.1/The Institute of Contemporary Art joined with several other museums to host MetaBody (The World's First Collaborative Visions of the Beautiful), commissioned by George Waterman III. In 1997, Davis launched Terrible Beauty, an evolving global multi-media theater piece. Its "chapters" have been performed before audiences in New York, Dublin, San Francisco, and Berlin.
Davis taught advanced media at more than 25 universities and art colleges and served as consultant in this field for several corporations & foundations. Davis published the book Art and the Future in several countries in 1973. ArtCulture: Essays on the Post-Modern (1977), is a book of theoretical essays. The Five Myths of TV Power (or, Why the Medium is Not the Message), 1993, focuses on the crucial importance of the viewer, the "human" element in media theory.
Personal life
Davis lived and worked in New York City until his death on January 16, 2014. He is survived by three daughters, and three granddaughters. His wife of over 30 years, Jane Bell Davis, died in 2005.[2]
Exhibitions
The Anagrammatic Body, Neue Galerie, Graz, Austria, 1999
The Net. Condition, Center for Art and Media, Karlsruhe, Germany, 1999
The American Century, Part II, Whitney Museum, 1999
Governor's Conference on the Arts and Technology, Information Technology Center, New York (installation), 1998
P.S. 1/Institute of Contemporary Art, New York (website), 1997
WithDrawing, Ronald Feldman Fine Arts, New York, 1996
X-Art Foundation, New York, 1996
Kwangju Biennale, Korea, 1995
Museum Sztuki, Lodz, Poland, 1995 (retrospective)
InterActions (1967–1981), Art Gallery, Lehman College, New York City, 1994
Discours Amoureux, Galerie St. Gervais, Geneva, 1994
TranceSex, Amanda Obering Gallery, Los Angeles, 1993
Ronald Feldman Fine Arts (one-man), 1992, 1985, 1984, 1981, 1980, 1977
Centro de Arte y Communicacion—Harrod's en Arte, Buenos Aires, 1991
Kunstverein, Cologne, Germany, 1989
Solomon R. Guggenheim Museum, 1986, 1988
Whitney Museum of American Art, (Biennial 1985), 1981, 1977, 1972
Venice Biennale, 1976, 1978, 1986
The New Museum, New York City, 1983, 1984
The Museum of Modern Art, 1983,
The Hirshhorn Museum & Sculpture Garden, 1983, 1984
Metropolitan Museum of Art, 1982 (traveling exhibition)
The Museum Transformed: Design and Culture in the Post-Pompidou Age. New York: Abbeville Press Publishers, 1990. ISBN1-55859-064-1
The Five Myths of Television Power, Or, Why the Medium is Not the Message. Riverside, New Jersey, U.S.A.: Simon & Schuster, 1993. ISBN978-0-671-73963-8
