DochmiacDochmiac (Ancient Greek: δοχμιακός, from δόχμιος 'across, aslant, oblique',[1] or 'pertaining to a δοχμή or hand's-breath'[2]) is a poetic meter that is characteristically used in Greek tragedy, expressing extreme agitation or distress. They appear in every extant tragedy—N.C. Conomis counted a total of 1,985 in the tragedies of Aeschylus (528×), Sophocles (291×), and Euripides (1166×)[3]—, but there are also examples in satyric drama and Aristophanes, where they are often paratragic in tone and impassioned.[4] Metrical schemeThe base metrical scheme is: ‿ — — ‿ —, although any of the long syllables may be resolved (i.e., replaced by two shorts) and either of the two shorts may be replaced by a long (drag-in where the first is replaced, drag-out where the second is replaced, and double drag where both are replaced).[4] Thus, in theory, 32 variants are possible, ranging from five longs — — — — — to eight shorts, ‿ ‿‿ ‿‿ ‿ ‿‿. The ones occurring most often are
ExamplesHere is an example from Aeschylus' Seven against Thebes, lines 697-700, where the chorus in vain tries to withhold Oedipus' son Eteocles from a fatal battle with his brother Polynices. The first three lines here are pairs of — ‿‿ — ‿ — dochmiacs. Long syllables have been underlined. (The fourth line is a hagesichorean.) Note that dochmiacs and even whole lines can start and end in the middle of a word:
An example of the simplest double drag form (— — — — —) is when the chorus in Aeschylus' Suppliant Maidens, lines 892 and 901, twice sighs:
References
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