Desdemona is a play by Toni Morrison. It was first produced in Vienna in May 2011. The title character of the play is Desdemona, the wife of the title character in Shakespeare'sOthello.[1] The 2011 play arose from a collaboration between Morrison, director Peter Sellars, and musician Rokia Traoré. About a decade earlier, Morrison and Sellars had disagreed about Shakespeare’s play, which Sellars detested, but Morrison valued. They agreed that Sellars would stage “Othello” and Morrison would respond to in another way, resulting in her Desdemona.[2]
The play revolves around Desdemona's relationship with her mother's maid "Barbary." In Morrison's work, Barbary is envisioned as an African woman, suggested by the name "Barbary" being a reference to northern Africa (the "Barbary coast") in Shakespeare's day. This also gives Desdemona an emotional connection with African people dating back to her childhood.[3][4][5][6][7]
Morrison's play marks the third major play focusing on Shakespeare's Desdemona composed by a modern female playwright, following Desdemona: A Play about a Handkerchief (1993) by Paula Vogel, and Goodnight Desdemona (Good Morning Juliet) (1988) by Ann-Marie MacDonald. All three plays have highly divergent interpretations of the character of Desdemona.
The official playscript of Desdemona was published in 2012 by Oberon Books, with a foreword written by the director Peter Sellars.[8]
^PODIUMKUNSTENFESTIVAL, INTERNATIONAAL. "Programma 2018". www.hollandfestival.nl (in Dutch). Archived from the original on 17 January 2018. Retrieved 17 January 2018.
