Cowboys from Hell is the fifth studio album and major label debut by American heavy metal band Pantera, released on July 24, 1990, by Atco Records. It marked the first of many collaborations with producer Terry Date. This was also the album where Pantera fully abandoned the glam metal style of their previous albums in favor of a heavier sound. It has been recognized as one of the first ever groove metal albums.[7][8]
Writing and recording
Writing sessions for Cowboys from Hell took place throughout 1988 and 1989. Seeking a record label to release their album, the group received firm contract offers from both Epic and Roadracer, who had expressed some interest in signing them. However, they were ultimately recommended to music producers with a "more commercial type" of approach, as explained by drummer Vinnie Paul.[9] After being turned down "28 times by every major label on the face of the Earth", Atco Records representative Mark Ross was asked by his boss, Derek Shulman (who was interested in signing Pantera), to see the band perform after Hurricane Hugo stranded him in Texas. Ross was so impressed by the band's performance that he called his boss that night, suggesting that Pantera be signed to the label.[4]
Ross on the performance:
"By the end of the first song, my jaw was on the floor. The sonic power of it all — the attitude and the musicianship — blew me away. Basically, you had to be an idiot to not think they're amazing. I mean, how could you see these guys and not think, 'Holy shit!'?"[10]
Atco Records accepted but the band had to wait a six month period before they commenced recording at Pantego Sound Studio in Pantego, Texas. Accounts vary as to how long the recording sessions of Cowboys from Hell lasted; bassist Rex Brown stated in a 2010 interview with Metal Hammer that the recording sessions took place from February to April 1990,[4] however vocalist Phil Anselmo has also claimed that the album was recorded in 1989.[2][3] Pantera's initial choice as the producer for Cowboys from Hell was Max Norman based on his work with Ozzy Osbourne. Norman, who flew to Houston to watch the band perform, initially agreed to work on the album, but right before the recording sessions started, he was offered to produce Lynch Mob's debut album Wicked Sensation instead.[11] Pantera then proposed Terry Date to produce the album on the strength of his work with Soundgarden, Metal Church and Overkill, the latter of whose latest album at the time The Years of Decay had influenced Dimebag Darrell's guitar tone, as well as the band's transition away from glam/traditional heavy metal to thrash/groove metal.[12][13][14][15][16]
Pantera adopted a new sound and attitude, and the writing of what would become Cowboys from Hell saw the band exploring darker subject matters, while the guitar would be notably heavier. Influences and inspirations to the making of the album, as well as its musical direction, were Black Sabbath, Judas Priest, ZZ Top, Metallica, Slayer, Megadeth, Anthrax, Testament, Overkill, Faith No More, King's X, Soundgarden, Minor Threat, Mercyful Fate, Savatage, Voivod and then-upcoming band Exhorder.[1][12][17][18][19][20] The band recorded a self-produced demo album in 1989 which featured 11 tracks, 10 of which would make the album cut.[4][21] "The last tracks to be written were "Primal Concrete Sledge" and "Clash with Reality" whilst a song titled "The Will to Survive" was discarded early in the recording sessions."[22] During recording sessions, the band chose an unorthodox method: Paul recorded the drum tracks first, then Darrell recorded the guitar, and Brown recorded the bass with the guitars only. This resulted in a tighter sound; slight inaccuracies were fixed by manually editing the tapes.[23]
The band were feeling confident about their material and themselves, finally feeling that they were making the kind of album they believed in. One key track to emerge during the writing was "Cemetery Gates", a seven-minute power ballad that would be the first song to show both their diversity and Anselmo's vocal range; the acoustic intro was written last by Brown.[23] Although they had already recorded four albums prior to Cowboys from Hell, the members of Pantera have since acknowledged this as their official debut album, working with a professional producer and a major label for the first time and creating music that was not simply stealing from other similar bands in an attempt to attract attention.[22]
Artwork
The original, unaltered photo used in the Cowboys from Hell album cover
The cover art depicts the band in a quaint Western saloon. In reality, it is a 1910 photo of the "Cosmopolitan Saloon" in Telluride, Colorado, with the bandmembers pasted over it.[24]Diamond Darrell is pictured in the center playing guitar, while Vinnie Paul is standing to his right counting money, Rex Brown is leaning against the counter top and Phil Anselmo is shown jumping in the air to Brown's left. Anselmo states that he jumped off a bar stool to get high up in the air and that it took him about ten takes until the cameramen got the shot of the desired style.[25]
The album was released on July 24, 1990, and was available on tape, CD, vinyl and a limited edition version (same album but in a long box).
Commercial performance
Despite being the band's commercial breakthrough, Cowboys from Hell sold slowly and steadily for most of the 1990s, first charting on Billboard in 1992, two years after its release. The album did not receive platinum certification in the United States until July 1997. It has since gone on to attain a double platinum (2,000,000 units) certification in the U.S. as well as gold status in the U.K. for sales of 100,000.[33]
As far as specific charting, Cowboys from Hell reached No. 27 on the BillboardTop Heatseekers chart in 1992, and in March 1995, entered the Swedish Charts for one week at No. 46.
Critical reception
Cowboys from Hell is widely considered one of Pantera's best albums, as well as one of the greatest metal albums of all time. It has been praised by most critics, as it would prove to be extremely influential in the development of groove metal in the 1990s. The album is also credited for reviving heavy metal music at a time when it was diminishing in relevance. Cowboys from Hell would inspire a generation of musicians, particularly guitarists. IGN named Cowboys from Hell the 19th-most-influential heavy metal album of all time.[34]
They said of the album:
Along with Vulgar Display of Power, Pantera's fifth album is not only considered one of the band's best, but is also one of the defining albums of early '90s metal. The band's chemistry really begins to gel with collective symmetry here, as a pre-Dimebag Darrell (he was known as Diamond Darrell back then) rips the strings of his axe like a rabid weasel, frontman Phil Anselmo following in kind with chaotic vocal utterances, and the rhythm section of Vinnie Paul and Rex Brown keeping the rhythms in check and the whole mess glued together with low end prowess.
Pantera's breakthrough album, Cowboys from Hell, is largely driven by the band's powerful rhythm section and guitarist Diamond Darrell's unbelievably forceful riffing, which skittered around the downbeats to produce unexpected rhythmic phrases and accents, as well as his inventive soloing.
Reissue
On September 14, 2010, a 20th anniversary edition was released with a remasteredmix from the original analog recordings.[36] The expanded edition features a bonus CD of previously unreleased live recordings and the Alive and Hostile EP. The deluxe edition features an additional third CD[37][38] with the previously unreleased demo track "The Will to Survive" (parts of the song were later used in the song "This Love"[4] from Vulgar Display of Power) along with demo versions of ten songs from the original album.[39]
The third disc of the deluxe set, Cowboys from Hell: The Demos, was released as a separate limited edition vinyl LP at the same time.[37] It was exclusively available at Metal Club record stores.[36][38] The 2010 reissue of the album managed to reach No. 117 on the Billboard 200 and No. 8 on Catalog Albums, selling 4,200.[40][41]
Legacy
The album was praised by Ozzy Osbourne. In 2017, he listed Cowboys from Hell as one of his ten favorite metal albums.[42]
The album was ranked No. 11 on the October 2006 issue of Guitar World magazine's list of the greatest 100 guitar albums of all time.[43] It was ranked the 85th-best heavy metal album of all time by Metal-Rules.com.[44]IGN named Cowboys from Hell the 19th-most-influential heavy metal album of all time. It is also credited as "defining" groove metal.[27] The album has also been praised by Ozzy Osbourne, who in 2017 listed it among his ten favorite metal albums.[42]
"Psycho Holiday" (Live at Foundations Forum, 1990)
5:25
3.
"The Art of Shredding" (Live at Foundations Forum, 1990)
5:47
4.
"Cowboys from Hell" (Live at Foundations Forum, 1990)
5:01
5.
"Cemetery Gates" (Live at Foundations Forum, 1990)
7:05
6.
"Primal Concrete Sledge" (Live at Foundations Forum, 1990)
3:51
7.
"Heresy" (Live at Foundations Forum, 1990)
5:12
Alive and Hostile EP
No.
Title
Length
8.
"Domination" (Live at Monsters in Moscow, 1991)
7:05
9.
"Primal Concrete Sledge" (Live at Monsters in Moscow, 1991)
3:17
10.
"Cowboys from Hell" (Live at Monsters in Moscow, 1991)
4:16
11.
"Heresy" (Live at Monsters in Moscow, 1991)
4:59
12.
"Psycho Holiday" (Live at Monsters in Moscow, 1991)
5:50
Total length:
83:10
Disc 3: Cowboys from Hell: The Demos
Only available on the 'Deluxe' and 'Ultimate' editions of the album.
No.
Title
Length
1.
"The Will to Survive" (demo)
4:14
2.
"Shattered" (demo)
4:47
3.
"Cowboys from Hell" (demo)
4:06
4.
"Heresy" (demo)
4:42
5.
"Cemetery Gates" (demo)
5:19
6.
"Psycho Holiday" (demo)
5:09
7.
"Medicine Man" (demo)
4:52
8.
"Message in Blood" (demo)
4:57
9.
"Domination" (demo)
4:45
10.
"The Sleep" (demo)
6:15
11.
"The Art of Shredding" (demo)
4:11
Total length:
53:17
Cowboys from Hell: The Demos
The demos were recorded in 1989 and re-released on Black Friday 2010. Copies were limited to 3,000 180-gram pressings, with the vinyl including the custom cover and demos of the original tracks, as well as the previously unreleased demo cut "The Will to Survive".[46]
Track listing
No.
Title
Length
1.
"The Will to Survive" (demo)
4:14
2.
"Shattered" (demo)
4:47
3.
"Cowboys from Hell" (demo)
4:06
4.
"Heresy" (demo)
4:42
5.
"Cemetery Gates" (demo)
5:19
6.
"Psycho Holiday" (demo)
5:09
7.
"Medicine Man" (demo)
4:52
8.
"Message in Blood" (demo)
4:57
9.
"Domination" (demo)
4:45
10.
"The Sleep" (demo)
6:15
11.
"The Art of Shredding" (demo)
4:11
Total length:
53:17
Note
Demos of the album's tracks were also released in 2010, in the 20th anniversary edition of Cowboys from Hell, but with a different track listing.
