Corporate America is the fifth studio album by American hard rock band Boston, released in 2002. It is the first album to feature band members Anton Cosmo and Kimberley Dahme, the last album released in vocalist Brad Delp's lifetime (though he would posthumously appear on the band's following album Life, Love & Hope), the second and final album with vocalist Fran Cosmo, and the only album released by Artemis Records.
Corporate America received mixed reviews, with critics praising the production values. It was also a commercial disappointment, failing to chart outside U.S. and Japan.[1] The low sales led to a lawsuit by the band's leader, Tom Scholz against Artemis. A 48-date North American tour was launched on June 6, 2003.[2][3]
Recording
The title track was released on the Internet before the album's release and went number one on MP3.com's progressive rock charts. The song was released under the pseudonym "Downer's Revenge" in order to test its appeal to a younger demographic.[4][5][6] Lyrically atypical song for Boston, according to Scholz, it's the most important track on the album.[7]
"Didn't Mean to Fall in Love" was said to be similar to "More Than a Feeling".[8] "Livin' for You" is a live version of a song that appeared originally on the previous full-length album Walk On (1994). "I Had a Good Time" was included on a 2009 reissue of Greatest Hits, the only track representing the album.[9]
Three songs from the album were included with the band's next studio album Life, Love & Hope (2013): "Didn't Mean to Fall in Love" was remastered, "Someone" was rearranged and re-recorded as "Someone (2.0)", and an original version of "I Had a Good Time", "Te Quiero Mia", was included as a bonus track.[8][9]
The Deseret News said the Corporate America is a typical Boston album and isn't as good as their previous ones.[12]Rolling Stone said the album is full of "overblown prog-rock pomp and hackneyed sentiments".[11]The Vindicator named the album 2002's "most dismal rock record" along with Bon Jovi's Bounce.[13]The Village Voice compared the album stylistically to Def Leppard and called it "sweet-sounding, brawny pop-metal".[14]AllMusic contrasted the album's fresh, energetic sound to "downscale aesthetic of post-punk".[10] In a retrospective, Classic Rock noted the songs as "not memorable enough" and Delp's vocals as "underutilised".[15] Looking back, Scholz called the album "a disaster" and "an experiment that didn’t work".[16] Scholz felt it was a mistake to let other people get more involved in the writing and recording process.[17]
The album charted at #42 on the Billboard 200 and by December 2002 had sold 60,000 copies.[4] In 2003, Scholz sued Artemis for failing to promote the album properly.[18]
