Genre
|
Date
|
Title
|
Instrumentation
|
Notes
|
Chamber music |
1992 |
Raga |
for flute, clarinet, violin, cello, piano and 2 percussion |
written for the Eastman Musica Nova
|
Piano |
1992 |
Statues |
for piano |
|
Chamber music |
1994 |
Kaoru |
for 2 flutes |
written for Kaoru Hinata and Christopher Vaneman
|
Concertante |
1995 |
Concerto |
for alto saxophone and orchestra |
|
Orchestral |
1995 |
This Dream, Strange and Moving |
for orchestra |
|
Chamber music |
1995 |
Ariel Ascending |
for string quartet |
|
Orchestral |
1996 |
Metaphysica |
for orchestra |
|
Orchestral |
1996 |
As Dancing Is to Architecture |
for orchestra |
commissioned by the California Symphony
|
Chamber music |
1997 |
Visions and Miracles |
for string quartet |
|
Chamber music |
1997 |
Flow, My Tears |
for violin, viola, or cello solo |
written for Carol Rodland in memory of Jacob Druckman
|
Orchestral |
1998 |
Flourishes |
for orchestra |
|
Vocal |
1999 |
Song of Elos |
for soprano, string quartet and piano |
|
Chamber music |
1999 |
O Vis Aeternitatis |
for string quartet and piano |
commissioned by the Norfolk Chamber Music Festival for Speculum Musicae
|
Orchestral |
2000 |
Rainbow Body |
for orchestra |
|
Concertante |
1997–2002 |
Concerto |
for bassoon and chamber orchestra |
commissioned by the Absolute Ensemble for Martin Kuuskmann
|
Opera |
2001 |
The Cows of Apollo or The Invention of Music |
|
|
Orchestral |
2002 |
Peace, Love, Light YOUMEONE |
for string orchestra |
|
Opera |
2002 |
The Thirteen Clocks |
|
in 2 acts; libretto by Peter Webster based on the story by James Thurber
|
Ballet |
2003 |
Artemis |
|
|
Concertante |
2002 |
Concerto - Black Dancer, Black Thunder
- In the Questioning (a.k.a. Sorrow)
- The Center of the Sky
- Lightning, with Life, in Four Colors Comes Down
|
for viola and chamber orchestra |
commissioned by the Pro Arte Chamber Orchestra for Kim Kashkashian
|
Band |
2005 |
I Wander the World in a Dream of My Own Making |
for wind ensemble |
|
Choral |
2005 |
The Here and Now |
for soloists, chorus, and orchestra |
commissioned by the Atlanta Symphony and Chorus
|
Chamber music |
2006 |
The World Is Aflame |
for violin and cello |
|
Concertante |
2006 |
Concerto [No. 1] |
for piano and chamber orchestra |
commissioned by Pro Musica Columbus for Donald Berman
|
Piano |
2007 |
All Dreams Begin with the Horizon |
for piano |
commissioned by Meet the Composer for Tanya Bannister
|
Choral |
2007 |
The Refuge |
for soloists, chorus, orchestra, and several non-Western ensembles |
|
Orchestral |
2007 |
Muse |
for strings and harpsichord |
commissioned by the Orpheus Chamber Orchestra
|
Chamber music |
2008, 2009 |
Fantasy |
for violin and piano |
chamber version of movement II of the Violin Concerto
|
Concertante |
2008 |
Concerto |
for violin and orchestra |
commissioned by the Pittsburgh Symphony for Sarah Chang
|
Chamber music |
2009 |
Summer Verses |
for violin and cello |
|
Orchestral |
2009 |
Symphony No. 1 |
for orchestra |
commissioned by Robert Spano for the Atlanta Symphony Orchestra[7]
|
Concertante |
2009 |
Concerto |
for cello and orchestra |
commissioned by and written for Nina Kotova[8]
|
Orchestral |
2010 |
Une Certaine joie de vivre |
for orchestra |
|
Opera |
2011 |
Heart of a Soldier |
|
for San Francisco Opera
|
Chamber music |
2012 |
Allegory of the Cave |
for string quartet and piano |
|
Piano |
2012 |
Birichino (Italian: prankster) |
for piano |
7 minutes long commissioned by the 2013 Van Cliburn International Piano Competition for the 12 semifinal round performers; released on March 15, 2013[9]
|
Concertante |
2013 |
Concerto |
for marimba and wind sinfonietta |
|
Chamber music |
2013 |
Quasi una Fantasia |
for 2 clarinets and string quartet (or string orchestra) |
|
Orchestral |
2013 |
The Wind and Petit Jean |
for orchestra |
|
Choral |
2013 |
The Gift |
for tenor, chorus, and orchestra |
commissioned by the Pittsburgh Symphony Orchestra
|
Chamber music |
2013 |
At the Still Point |
for piano quintet |
|
Chamber music |
2014 |
Artemis |
for horn, string quintet, and keyboard |
|
Chamber music |
2014 |
Five |
for string quartet |
|
Orchestral |
2014 |
The Legend of the Northern Lights |
for narrator, child actor and orchestra (with film) |
|
Choral |
2015 |
Creation/Creator |
for soloists, chorus, and orchestra |
commissioned by the Atlanta Symphony Orchestra[10][11]
|
Orchestral |
2015 |
Dreamtime Ancestors |
for orchestra |
[12]
|
Orchestral |
2015 |
Making Up for Lost Time |
for orchestra |
|
Orchestral |
2015 |
A Thousand Cranes |
for string orchestra and harp |
|
Chamber music |
2016 |
Airs and Dances |
for 2 oboes, English horn, 2 bassoons, and percussionist |
|
Choral |
2016 |
Four Levertov Settings |
for chorus and solo violin |
words by Denise Levertov
|
Orchestral |
2016 |
Summer Music |
for orchestra |
Commissioned by the Williamsport Symphony for their 50th anniversary
|
Chamber music |
2017 |
The Conference of the Birds |
for string quartet |
|
Chamber music |
2017 |
Four Dreams |
for string quartet |
commissioned by Apollo Chamber Players[13]
|
Orchestral |
2017 |
The Game |
for orchestra |
Commissioned by the Baltimore Symphony Orchestra
|
Chamber music |
2017 |
Lakshmi and the Seed of Divine Desire |
for flute and piano |
|
Chamber music |
2017 |
One Thing at a Time, 6 Etude Miniatures |
for flute solo |
|
Chamber music |
2017 |
What Is the Word? |
for string quartet and electronics |
co-written with Mark Wingate; commissioned by the Apollo Chamber Players; words by Samuel Beckett
|
Concertante |
2018 |
Concerto No. 2 |
for piano and string orchestra, harp, percussion |
|
Chamber music |
2019 |
Discipline and Transcendence |
for violin solo |
written for the Elmar Oliveira International Violin Competition 2020
|
Concertante |
2019 |
Drum Circles |
for percussion quartet and orchestra |
|
Band |
2019 |
Off the Clock |
for concert band |
|
Chamber music |
2019 |
Quintet |
for clarinet and string quartet |
|
Orchestral |
2020 |
On the Bridge of the Eternal |
for orchestra |
Written for the University of Colorado Boulder centennial
|