Much of Csíkszentmihályi's art consists of working technologies of his own invention, which function as tools while also providing comment on technology and its implications for social power dynamics.[8] These artwork/technologies include, but are not limited to:
Hunter Hunter (1991), a free-standing robotic technology that could detect the sound of a gunshot and return fire, which was a precursor to applied Gunfire locator technologies[8]
DJ I, Robot (2000), a robotic disk jockey that could play and scratch vinyl records.[9][10][11][12]
Afghan eXplorer (2001), a solar-powered, four-wheeled robot designed to report news from warzones[13][14][15][16][17][18]
Freedom Flies (2005), an Unmanned aerial vehicle designed to observe militia activity in the Southwestern United States[19]
RoBoat (2006), a robotic kayak designed to protest at island prisons[8]
ProBot (2019), a tele-operated, human-sized robotic protester, designed to allow physical acts of protest while protecting one's personal safety[20]
Other, more traditional artworks include 2005's Skin/Control, parallel installations that explore the tenuous nature of human influence over technology;[21] and 2007's First Airborne, an installation consisting of hanging maple seedlings the size of the United States Air Force's Joint Direct Attack Munition bombs.[22]
With Jude Mukundane, he is the co-founder of RootIO,[23] a civic media project developing wide-reaching, small-scale, peer-oriented radio networks, currently operating in Uganda. By turning cell phones into standalone radio stations with village-sized catchment areas, RootIO provides a platform for localized media that requires little in terms of physical infrastructure and user literacy.[24]