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Christian Cay Lorenz Hirschfeld
  Christian Cay Lorenz Hirschfeld (16 February 1742 – 20 February 1792) was a German Enlightenment gardening theorist, academic in philosophy and art history in the service of Denmark and a writer, notable for several books. He advocated for sensitive Romantic gardens in the English landscape style. He published numerous articles in magazines (Nova acta eruditorum) and edited the Kielische Gelehrte Zeitung (erudite newspaper of Kiel)[1] from 1771 to 1778. He had his works illustrated with copperplate engravings based on drawings by artists such as Brandt, Weinlig, Schuricht and Zingg, often engraved by Christian Gottlieb Geyser. Hirschfeld idea of Gartenkalenders was later taken up by Wilhelm Gottlieb Becker in his Taschenbuch für Gartenfreunde (1795–1799). LifeYouth and educationBorn in Kirchnüchel, he was the second son of pastor Johann Heinrich Hirschfeld (1700–1754) and his wife Margarethe Sibylle (nee Reinboth, 1711–1759), a pastor's wife. He was taught by his father until the latter's death, upon which he was educated in Halle, attending the Franckesche Stiftungen from 1756 to 1760 and then studying theology, philosophy and the "fine sciences" (i.e. art history and aesthetics) until 1763. Frederick August, prince-bishop of Lübeck, took Hirschfeld on in 1765 as tutor to Wilhelm August (1759–1774) and Peter Friedrich Ludwig (1755–1829), the orphaned sons of Georg Ludwig von Schleswig-Holstein-Gottorf, both of whom were wards of Frederick August and Catherine the Great. In 1767, after a two-year stay in Bern, Hirschfeld was dismissed due to a dispute with Carl Friedrich von Staal, who had overall charge of the princes' education, though Hirschfeld's first book Landleben was also published in Switzerland that year. He stayed in Leipzig in 1768 and Hamburg in 1769. Academic and writerHis first marriage was in 1771 to Charlotte Amalie (von) Hausmann (or Husmann) (1740–1777), a Danish naval officer's daughter, with whom he had his only child Henrietta Georgina Amalia in 1772, who died aged two months. In 1778, the year after Charlotte Amalie's death, he married Charlotte Elisabeth Rieck (nee von Hein, 1748–1789), daughter of an infantry major. Hirschfeld himself died in Kiel and was buried in what would later be known as the St.-Jürgen cemetery in that city. After his death his fruit-tree nursery was taken over by Johann Jacob Paul Moldenhawer. His house there was replaced by a new one in 1796 and from 1822 onwards the nearby viewpoint over the Kiel fjord was known as 'Bellevue'. Moldenhawer died in 1827 and two years later the nursery was privatised, with a new restaurant with a viewing pavilion built in 1846 and the house demolished in 1869, to be replaced by a house with overnight accommodation. Bit by bit the former nursery lands were parcelled up and sold off, with the last remaining one becoming the site of an eight-storey hotel in 1972. Memorials  Christina von Brühl placed a memorial to Hirschfeld in her garden at Schloss Seifersdorf during his lifetime. Shortly after his death the plant genus 'Hirschfeldia' was named after him, formed of only one species, 'H. incana', first published by Conrad Moench in 1794.[2] On the two-hundredth anniversary of the date of Hirschfeld's death, Kiel renamed a small green area on the edge of his former tree nursery 'Hirschfeld-Blick' (Hirschfeld Square), in which a small memorial plaque to him was placed in 1997. The Kieler Bürgerstiftung has been awarded to public gardens every two years since 2007. Analysis Hirschfeld only ever gave one lecture specifically on gardening (on "hortorum culturam elegantiorem" in the 1780 summer term) and is mainly known for masterwork Theorie der Gartenkunst advocating the English landscape garden, based on Joseph Addison, Thomas Whately and William Chambers and best known in its French translation. Unlike Friedrich Ludwig Sckell, who worked in England for several years and whose gardens such as at the 1777 Schloss Schwetzingen set the style in Germany, Hirschfeld never spent time in England or designed a garden, though he did view an English-style garden in Schierensee near Kiel in 1779. His ideas on sensitive landscapes were shaped by the countryside of his youth (known a century later as "Switzerland in Holstein"), his impressions of Bern and the graceful sweep of the Kieler Förde (largely destroyed in the 20th century). He also drew the idea of viewing landscapes from a moral-philosophical point of view from his contemporary Jean-Jacques Rousseau, who had written about an ideal garden following nature in his Julie; or, The New Heloise, whilst the English painter William Gilpin's idea of viewing gardens solely through aesthetic criteria was also an influence. Hirschfeld's book transmitted the idea of English landscape gardens in a simplified form and contributed to their spread through Germany, Scandinavia and (via essays by Andrey Bolotov) Russia. Selected worksTheories of gardening and landscaping
Moral philosophy
In translation
BibliographyBy year of publication
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