Charles Cuvillier (24 April 1877 – 14 February 1955) was a French composer of operetta. He won his greatest successes with the operettas La reine s'amuse (1912, played as The Naughty Princess in London) and with The Lilac Domino, which became a hit in 1918 in London.
Biography
Cuvillier was born in Paris, and studied at the Paris Conservatoire with Gabriel Fauré and Jules Massenet.[1] He began writing for the Paris musical stage and had a success with Avant-hier matin (1905), a small scale work with piano accompaniment.[2] Later stage works to achieve success in France and abroad included Son p'tit frère (1907), his first collaboration with André Barde, and La reine s'amuse (1912).[2] The latter (also known as La reine joyeuse) featured Cuvillier's biggest hit, "Ah! la troublante volupté".[1] Before the First World War he made a career in Germany as well as France.[2] The second of his two works written for German theatres, Flora Bella, was playing in Munich and had its run immediately brought to a stop when war was declared.[3] Cuvillier fought in the trenches against Germany during the war,[4] and thereafter made his career in France and the U.K.[2]
Cuvillier was popular in England after the First World War. Avant-hier matin played with success in London as Wild Geese,[1] and La reine joyeuse ran for 280 performances as The Naughty Princess.[5] His greatest international success was the operetta The Lilac Domino, originally Der lila Domino (Leipzig, 1912).[1] The critic Andrew Lamb writes that Cuvillier composed "light, insinuating music, distinguished by typically French phrasing."[1]
Cuvillier also composed film music, including Mon amant l'assassin (1931), Occupe-toi d'Amélie (1932) and Story of a Poor Young Man [fr] (1935).[2]
Cuvillier died in Paris in 1955, at the age of 77.[1]
Stage works
1903: La Citoyenne Cotillon, comédie dramatique by Henri Cain and Ernest Daudet, incidental music by Cuvillier