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Chandas (poetry)Metrical poetry in Sanskrit is called Chandas (Sanskrit: छन्दस्) or Chandas/Chandassu (Kannada: ಛಂದಸ್ಸು) and Chandassu (Telugu: ఛందస్సు). The term Chandas (Sanskrit: छन्दः/छन्दस्, romanized: chandaḥ/chandas (singular), Sanskrit: छन्दांसि, romanized: chandāṃsi (plural)) means "pleasing, alluring, lovely, delightful, or charming", and is based on the root chad, which means "esteemed to please, to seem good, feel pleasant, and/or something that nourishes, gratifies, or is celebrated". Chandas refers to the Vedas themselves. Krishna refers to the Vedas as leaves of the tree of creation. Vedas being in verse-form (Chandas), also came to be known as Chandas. The term also refers to "any metrical part of the Vedas or other composition". Prose and poetry follows the rules of Chandas to design the structural features of 'poetry'. Chhandas is a definable aspect of many definable and indefinable aspects of poetry. Chhandas generates rhythm to the literature when the rules are properly followed. Rhythm is important to literature as a preliminary attraction. Construction of ChandasIn TeluguIn Telugu, 'Chandas' is constructed based on the number of akṣara (roughly syllables) in each line (also called pādam) of a poem. As the same lines are repeated (āvṛtta), these are called vṛttā. If all the lines in a poem follow the same 'types of akṣarās', it is called a 'sama Vrutta'. There are separate Telugu equivalents for the English words 'letter' and 'syllable'. The first one is namu (letter). This is the basic 'letter' of the Telugu in the alphabets, and is called varṇa-samāmnāya. There are 56 varṇa-samāmnāya in Telugu. The equivalent for 'syllable' in Telugu is akṣaramu. 'Syllable' is often defined as the 'unit of pronunciation at a stretch' with a collection of letters (Nās) in it. For example, in a word like svapnamu, sva is an akṣaramu (syllable), but not a namu (letter) as it has two nās (sa and va) in it. These akṣara are divided into laghuvu (light) and guruvu (heavy) based on the time period of pronunciation. These akṣara are the fundamental aspects in constructing chandas in Telugu. Meters of the same length are distinguished by the pattern of laghuvu ("light") and guruvu ("heavy") syllables in the pādam. Pattern of laghuvu and guruvu in a sequence of three is called Gaṇam (group). The word ya-mā-tā-rā-ja-bhā-na-sa-la-gam is called Gana Suchi. The Ganas are the same as Sanskrit Chandas.
These Ganam(s) are divided into three major categories:
Types of ChandasBased on categories of Ganam(s), Telugu poetry is classified as
Upajāti only has yati (caesura) but no prāsa (rhythm) where as Jāti and Vṛttā contain both yati and prasā. There are 26 types of chandas. Each chandas is recognized by the number of akṣarā present in each line of the poem. As an ‘’akṣara’’ can be either a ‘’laghuvu’’ or a ‘'guruvu'’, the number of variations possible in each type of 'chandas' follows a 'binary system'. The names and numbers of '’chandas'’ and the numbers of ‘'sama vṛttā'’ that can be generated in each variety are as follows:
The total number of sama vṛtta in 26 chandassus is 134,217,726. In KannadaThe poetical works of Old Kannada and Middle Kannada followed the rules of Chandas given by Nagavarma I in the book Chandombudhi. Kannada prosody is classified into three parts:[2]
PrāsaPrāsa, or the rhyme scheme, refers to the same consonant repeating periodically in each line. There are two types:
YatiWhile reading poetry, to breathe, readers paused at places in the text. These places were called Yati. However, the usage of 'Yati' is uncommon in Kannada literature. GanaGana refers to a group. In Kannada prosody, Gana refers to the group of the syllables, letters, or units. There are three types:
Mātrā GanaOne mātrā means the time taken to pronounce a letter. Thus the gana classified on this basis is called Mātrā Gana. While classifying, the ganas are made of 3, 4 or 5 syllables. There are two types of syllables in Sanskrit prasody:
A letter becomes Guru when it has following features
A letter is considered as Laghu when it does not have the above features. Types of Kannada Chandassu
Kanda PoemA kanda poem is a special type of Kannada prosody. The poem has four lines, where the first and third lines and the second and fourth lines have same number of mātras. Each Gana used in kanda poem has four mātras. ŚatpadiA śatpadi is a poem that has six lines. The first, second, fourth, and fifth lines have equal numbers of mātras and third and sixth lines have same number of mātras. Each Gana used in śatpadi may have 3, 4, or 5 mātras. There are six types of śatpadi. Each type has different rules, features and characteristics. The types are: Śara (ಶರ), Kusuma (ಕುಸುಮ), Bhoga (ಭೋಗ), Bhāmini (ಭಾಮಿನಿ), Parivardhini (ಪರಿವರ್ಧಿನಿ), and Vārdhaka (ವಾರ್ಧಕ). RagaḷeA ragaḷe is a poem that has many lines. All lines have equal number of mātras. There are three types of ragaḷe: Utsāha (ಉತ್ಸಾಹ), Mandanila (ಮಂದಾನಿಲ), and Lalita (ಲಲಿತ). Akṣara GanaGana classified on the basis of letters or characters is known as Akṣara Gana. The Akṣara ganas are made of three letters or characters. A formula-sentence is used for this: ya-mā-tā-rā-ja-bhā-na-sa-la-gam (ಯಮಾತಾರಾಜಭಾನಸಲಗಂ). Thus we get eight akshara ganas by this. The ganas are same as in Sanskrit Chandas. The ganas are
VṛttasThe poems written on the basis of Akṣara gana are known as Vṛttas. In Kannada Chandassu there are six types of Vṛttas:
See also
References
3. kannada-grammer-in-old-poetry https://vistaranews.com/education/chandassu-how-kannada-grammer-in-old-poetry-designed-and-related-to-sanskrit/362436.html External links
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