Camila Cañeque
Camila Cañeque (15 June 1984 – 15 February 2024) was a philosopher, conceptual and performance artist from Barcelona. Her work critiqued modernity and existential fatigue.[1] Her work explored the concept of unproductivity, inefficiency and the unfinished in a chaotic world.[2] BackgroundCañeque was born in Barcelona to parents Montse González Chicota and Ramón Cañeque.[3] Cañeque's early work involved inserting herself passively into spaces in character, investigating inaction.[4][5] Her work has been described as sarcastic, and often with a dark sense of humor, exploring themes such as inaction and rebellion of a consumerist society.[6] In 2013, she gained attention for a surprise performance piece at Madrid's ARCO Contemporary art fair where she appeared lying on the ground in a flamenco dress surrounded by flowers and verses by Lorca. Her motionless performance, performance Dead end at the fair interrupted proceedings and sought to symbolize the "death of Spain".[7] The fair censored her performance.[8] Prior to exhibiting performance Dead end, Cañeque toured the United States dressed as a flamenco dancer for Souvenir, a critique on tourism.[9] Cañeque would go on to exhibit her work internationally in New York, Brazil and across Europe.[3][10] In 2019, she received a residency to develop new performance artworks at Mana Contemporary, for their Mana Contemporary x Secret Project Robot residency program.[4] Cañeque did not consider herself a studio based artist. While in the United States, Cañeque described her residency as a "RETREAT" where she developed installations exploring the "gymnastics of stillness".[4] She died in her sleep unexpectedly at age 39.[1] She was reportedly pregnant with her first child.[11] At the time of her death, she was finishing her first book La última frases, a treatise on the final endings of texts, in an exploration of the outcome of things.[12] The book would be published posthumously.[11][13] HonoursIn March 2024, Spanish artist Marc Montijano distributed poems by Lorca in a tribute to Cañeque at Madrid's ARCO art fair, similarly without permission from the fair's organizers.[14] In November 2024, she was posthumously awarded the Zenda Ópera Prima 2023-2024 Award for La última frases.[3] Bibliography
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