It shows Bathsheba, wife of Uriah the Hittite and later of David, assisted by her maid as she rises from her indoor bath, as related in 2 Samuel 11. Bathsheba is naked save a robe which the maid is about to wrap but hasn't quite wrapped around her. The women are indoors but before an open window which leads out to a courtyard and skyscape. The bath from which Bathsheba emerges is pillared, with a roof of cushioned black velvet. There is a small white dog by her right foot. In the background, King David and a boy can be seen standing on the balcony high above.
The maid's facial type, demeanour and clothing bear the strong influence of Rogier van der Weyden's depictions of the Virgin Mary. The figure of Bathsheba has been compared to that in Jan van Eyck's now lost Woman Bathing, although that painting is more allegorical than narrative.[2] As opposed to Bathsheba, she is fully nude.
Its unusually close framing and the fact that many of the details are cut off suggests that it is a fragment of a larger, probably religious, panel or triptych that was broken up.[3]
Ridderbos, Bernhard; Van Buren, Anne; Van Veen, Henk. Early Netherlandish Paintings: Rediscovery, Reception and Research. Amsterdam: Amsterdam University Press, 2005. ISBN0-89236-816-0