Anthoula Stathopoulou-Vafopoulou
Anthoula Stathopoulou-Vafopoulou (Greek: Ανθούλα Σταθοπούλου-Βαφοπούλου; 1908 – April 16, 1935) was a Greek poet and playwright of the interwar period. BiographyAnthoula Stathopoulou was born in Thessaloniki, Greece, in 1908.[1] In her youth she attended the city's High School for Girls and its French School.[1][2] In 1924, at only 15 years old, she met the poet Georgios Vafopoulos, then in his early 20s.[2] The two would marry later, in 1931, when they were 22 and 28.[2] It was then that she took on the surname Stathopoulou-Vafopoulou.[1] Stathopoulou-Vafopoulou worked for a short period at the Thessaloniki City Hall, then became interested in the theater and attended the School of Dramatic Arts at the State Conservatory of Thessaloniki.[1][2][3] She began writing poetry and plays, which she published in literary magazines in Thessaloniki (such as Makedonikes Imeres) and Athens (such as Nea Estia).[1][2] Her plays were performed at the School of Dramatic arts, under the direction of Takis Mouzenidis .[1][2] In 1932, she published her first and only book of poems, titled Sleepless Nights (Greek: Νύχτες αγρύπνιας).[1][2] In 1935, Stathopoulou-Vafopoulou died of tuberculosis, like her poetic contemporaries Maria Polydouri and Minos Zotos , at only 26 years old.[1][2][4] She spent her final months at the sanatorium in Asvestochori.[3] Shortly after her death, the poet Tellos Agras published a review of her book of poetry in Nea Estia.[5] Her husband collected her writings the following year in a volume titled Works (Greek: Έργα), with a prologue by Gregorios Xenopoulos.[1][2] It was reviewed in Nea Estia by Cleon Paraschos . In the 1940s, the songwriter Vassilis Tsitsanis honored her by borrowing from her writing in one of his pieces.[2] A play based on her life and death was produced in Greece in 2024.[3] WorksPoetry
In its 55 poems, this collection radiates sensitivity, the sensation of sleeping awake and the poet's romantic sorrow. In its lyricism, using rhetorical questions and similes, the work conveys a great emotional weight to the reader. Some scholars have characterized her writing as "post-symbolic."[6] Complete works
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