Born in Cardiff, Statton's career in music began in 1978 as the singer for the band Young Marble Giants.[3] After Young Marble Giants split up in 1981, she formed the jazz-influenced band Weekend with Simon Emmerson (Booth) and Spike Williams, releasing the album La Varieté in 1982 and a live EP, Live at Ronnie Scott's, the following year.[3][4]
She returned to music in the late 1980s and released two recordings with the guitarist from Ludus, Ian Devine as 'Devine and Statton', The Prince of Wales (1989) and Cardiffians (1990).[5][6][7]
After working with Devine, she released several records with Spike in the 1990s, starting with Weekend in Wales (1993).[5][7][8]
Young Marble Giants reunited for a number of live performances from 2007 to 2015 in Europe, the last one in London at the Royal Festival Hall during the Meltdown Festival curated by David Byrne.
Statton's singing has been called "coolly unadorned",[5] cool and dispassionate,[9] and ghostly and fragile,[10] with a "shy, singsong delivery".[11] Her vocal style is considered influential on many of the indie pop artists that followed.[4]
^Young, Rob (2006) Rough Trade, Black Dog Publishing Ltd., ISBN978-1-904772-47-7, p. 176
^Bonini, Alessandro; Tamagnini, Emanuele (2006) New Wave, Gremese Editore, Italy, ISBN978-88-8440-412-1, p. 195
^Inventory: 16 Films Featuring Manic Pixie Dream Girls, 10 Great Songs Nearly Ruined by Saxophone, and 100 More Obsessively Specific Pop-Culture Lists, Scribner, ISBN978-1-4165-9473-4, p. 162