Alfredo Boulton
Alfredo Boulton (1908–1995) was a Venezuelan artist, critic, and art historian.[1] As an art historian and critic, he is known for publishing a comprehensive history of Venezuelan art. Boulton was also an active photographer; his work is held in the permanent collection of the Museum of Modern Art in New York City. Life and workBoultan was born in 1908 in Caracas to a wealthy merchant family. While in Europe, he studied the photography of Man Ray, who had a significant influence on his early work. [2] This early photography was often surrealist, making use of collage and photo essay formats. [citation needed] After returning to Venezuela, Boulton's work turned toward depicting and engaging with his home country.[3] He was one of the first photographers to document the Venezuelan landscape and people, inventing the term belleza criolla to describe “the exuberant beauty of our race” (the Venezuelan mixture of indigenous, white, and black backgrounds).[4][5] He also promoted, documented, and studied indigenous artwork from Venezuela.[6] The following quote from Boulton illustrates the connection that this documentation of ceramics has with his overall approach to Venezuelan art history:
As an art historian and critic, he published a comprehensive history of Venezuelan art and a monographs on the iconographic portraiture of Simón Bolívar, Antonio José de Sucre, and José Antonio Páez.[8][9][10] He often photographed and supported other Venezuelan artists and intellectuals, including Francisco Narváez, Rafael Monasterios, Alejandro Otero, Jesús Rafael Soto, and Carlos Cruz Diez.[1] He was also a friend to international artists, notably, Alexander Calder designed a piece of kinetic art for his living room.[11] A monograph has been published on Boulton's work, entitled Alfredo Boulton: Looking at Venezuela 1929–1978.[12] CollectionsThe Getty Center houses a collection of his artwork and writings (many previously from the Alberto Vollmer Foundation), a selection of which were on display in the exhibit Alfredo Boulton: Looking at Venezuela, 1928–1978.[5] Over 25 of Boulton's photographs are held in the permanent collection of the Museum of Modern Art.[13] See alsoReferences
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