Action Theatre (Ruth Zaporah)

Action Theatre is an improvisational performance technique developed by the American performance artist, Ruth Zaporah.[1] Action Theatre is defined by its focus on embodied awareness, the tracking of the present moment through sensory experience, and by a structured training that uses exploration to build the performer's 'formal dexterity and the ability to “listen” to oneself and one’s acting partners'.[2] This physical theatre technique is documented in Zaporah's 1995 book, Action Theatre: The Improvisation of Presence.[3]

Origin

Action Theatre evolved from the explosion of interdisciplinary performance in the San Francisco Bay Area in the 1970s, which included Contact Improvisation performance groups and Anna Halprin.[4] Zaporah is described as one of the 'leading lights of the Bay Area's thriving experimental theater scene of the 1970s and '80s' and as a 'master teacher ... whose work blurs the edges between modern dance and mime'.[5] She trained in modern dance (with Merce Cunningham, Alwin Nikolais and Martha Graham) and participated in the theater and movement experiments of the '60s; it is said she 'embodies play that's dead serious'.[6]

Action Theater is a training technique and practice that Ruth Zaporah developed over a twenty-year period in the San Francisco Bay Area.

References

  1. ^ Kourlas, Gia (2011-10-31). "Improviser With a Touch of 'I Love Lucy'". The New York Times. ISSN 0362-4331. Retrieved 2023-01-31.
  2. ^ Morrow, S. (2011). Psyche meets Soma: accessing creativity through Ruth Zaporah’s Action Theater. Theatre, Dance and Performance Training, 2(1), 99–113. doi:10.1080/19443927.2010.543987
  3. ^ Zaporah, R. (1995). Action Theatre: the improvisation of presence. Berkeley, CA: North Atlantic Books.ISBN 978-1556431869
  4. ^ Morrow, S. (2011). Psyche meets Soma: accessing creativity through Ruth Zaporah’s Action Theater. Theatre, Dance and Performance Training, 2(1), 99–113. doi:10.1080/19443927.2010.543987
  5. ^ Hurwitt, R. (2009, July 10). Date Lines: News from the Bay Area arts scene. San Francisco Chronicle. Retrieved from http://www.sfchronicle.com/bayarea/article/Date-Lines-News-from-the-Bay-Area-arts-scene-3226067.php
  6. ^ Off the cuff: Ruth Zaporah proves that preparation isn’t always best. (2006, September 13). Santa Fe Reporter. Retrieved from http://www.sfreporter.com/santafe/article-927-off-the-cuff.html