Rembrandt's flag bearer has several copies in oil, and later prints may be from such copies, but this painting nevertheless has a provenance reaching far into the 18th-century. It was documented as a self-portrait by Smith in 1836, who wrote:
270 A STANDARD-BEARER. Sm. 201, and Suppl. 23; Bode 300; Dut. 148; Wb. 313; B.-HdG. 206.
He stands in profile to the right, turning his face round and looking at the spectator. With his left hand he holds a large white banner on his shoulder; his right hand is on his hip. Over his brown curls he wears a slashed cap with a brown plume; his face is shaved, save for the long moustache. Over his yellowish-brown coat, trimmed with lace, he wears an iron gorget and a broad sash from which a sword hangs at his side. He has loose sleeves and a white collar and wrist-bands. Strong light from the left touches his back and his face and falls full on the banner. Life size, three-quarter length. The man has Rembrandt's features.
Signed on the right at foot, "Rembrandt 163-" the last figure, now illegible, was probably a 5; canvas, 50 by 42 inches [1,300 mm × 1,100 mm].
A copy is in the Cassel Gallery, 1903 catalogue, No. 251 (Wb. 53); it has been there since the 1749 inventory, and was etched by N. Mossoloff.
Another copy is in the collection of the late P. A. B. Widener, Philadelphia, 1908 catalogue, No. 242. Other copies were in the
Sales. J. F. Wolschot, Antwerp, September 1, 1817, No. 12.
Duke of Buckingham, Stowe, August 15, 1848, No. 415 (£54 : 12s., Wakeford Attree).
Etched by P. Louw, J. F. Clerck, G. Haid.
Mentioned by Vosmaer, pp. 340, 554; by Bode, p. 597; by Dutuit, p. 52;
[by Michel, pp. 166-7, 169, 436].
Exhibited at the British Institution, London, 1819, No. 59, and 1836,
No. 34.
Sales. L. van Heemskerk, Leyden, September 2, 1771, No. I (61 florins, Delfos); to judge from the price, this was one of the copies.
G. F. J. de Verhulst, Brussels, August 16, 1779, No - 8o ( 354 florins or, according to other authorities, 1290 francs, Fouquet).
Le Boeuf, Paris, 1782 (5300 francs). Robit, Paris, May 21, 1801, No. 117 of Bryan's catalogue (3095 francs, Lafontaine).
In the collection of George IV., King of England, who exchanged it with Lafontaine for other pictures.
In the possession of the London dealer Lafontaine.
In the collection of Sir Simon H. Clarke, London.
In the collection of Lady Clarke, Oak Hill, 1836 (Sm., who valued it at 525).
Sale. Sir Simon Clarke, Bart., London, May 8, 1840 (840, Baron James de Rothschild, Paris).
In the collection of Baron Henry de Rothschild, Paris.
—
Hofstede de Groot, 1914[3]
In 2019 the painting has been classified as a national treasure of France, so an export bar was in place for 30 months, while the Louvre tried to raise funds to buy the painting.[4] The museum was unable to do so and waived its right of first refusal for purchase. In December 2021, the Dutch state announced its intention to buy the work for the national collection.[5]