HEATH (Plagiarism/Outsource), 7 Controlled Vocabularies and Obituary 2004: The Joy of Cooking
Style
"Ambient" literature
Children
1 (Ahn)
Tan Anthony Lin is an American poet, author, filmmaker, and professor. He defines his work as "ambient" literature, which draws on and samples source material from the Internet and popular culture to address issues involving plagiarism, copyright, boredom, distracted modes of reading, paratext, and technology.[1]
Early life and education
Lin was born April 24, 1957, in Seattle, Washington, to Chinese-American immigrants born in Shanghai, China, and Beijing, China. His parents migrated to the United States from China, his father in 1948 and his mother in 1949.[2][3] His father, Henry Huan Lin, was a ceramist and former dean of the Ohio University College of Fine Arts. His mother, Julia Chang Lin, born in Shanghai, was a poet and taught literature at Ohio University.[4] Tan Lin is the nephew of Lin Huiyin, who is said to be the first female architect in China.[5]Lin Juemin and Lin Yin Ming, both among the 72 martyrs of the Second Guangzhou Uprising, were cousins of his grandfather.[6] Lin Chang-min, a Hanlin of Qing dynasty, the emperor's teacher, was the father of Lin Hui-yin and grandfather of Tan.
Lin's style as an artist comes from the principle of "ambient" literature. A commentary by Katherine Elaine Sanders described the style by saying, "Lin leads his audiences in exploring the temporary ephemera that fills our daily interactions: emails, Twitter feeds, Facebook messages, blogs, movies, magazines, and advertisements, indexes, photographs, and recipes."[12]
The first published work by Lin was Lotion Bullwhip Giraffe in 1996, a "meditation backwards," where he invented new poetry structures through the manipulation of the mechanics of language.[13] In 2003, Lin published his second work, Blipsoak01, where he again used inventive poetry structures, this time through the abstract visual placement of words.
From January 10, 2006 to October 16, 2006, Lin maintained a blog, titled AMBIENT FICTION READING SYSTEM 01, of everything he read, the time it took him to read it, and the place where he read it. In the project's preface, Lin described it as "a stopwatch of various off-hand, inefficient, and fragmentary reading practices, really the dated, after-effects of reading."[14] A first expanded edition of the project was published online by UbuWeb as BIB. (2007), and a second edition was published in 2011 as Bib., Rev. Ed.[15]
In ambience is a novel with a logo, Lin used a subtitle system consisting of citations in the format of Google search entries.[16] Less than a year later, he published HEATH, which utilized the same subtitle system presented in ambience, but also focused on language and graphics from various online sources. In 2010, Lin published 7 Controlled Vocabularies and Obituary 2004: The Joy of Cooking, in which he continued his use of inventive poetry structures, this time in the style of "a field guide to the arts."[17] In 2011, he published Insomnia and the Aunt, in which he mourned the death of his aunt, who owned a motel. Lin's most recent published work, "The Fern Rose Bibliography" (2022), is an excerpt from his forthcoming novel, Our Feelings Were Made by Hand.[18]
In the project HEATH (Plagiarism/Outsource), Lin presented a collection of language and graphics compiled from a variety of online sources, ranging from advertisements to Facebook to scholarly articles. For Lin, the work touched on "who is more generally responsible for certain texts," rather than "who physically authors a text."[19] He explored the idea of an ambient novel by highlighting how a book works and how a reader reacts to a printed object when the content itself is arguably meaningless. The content skips from subject to subject in a seemingly random way through plagiarisms, outsourced material, and meta-content.[20]
7 Controlled Vocabularies and Obituary 2004: The Joy of Cooking
In 7 Controlled Vocabularies and Obituary 2004: The Joy of Cooking, Lin wrote prose poems that are disrupted by themselves, alluding to the idea of art being "relaxingly meaningless." He distorted the line between various aesthetic disciplines and took avant-garde notions to a new level by diffusing them into ambient formats such as yoga and meditation. The seven sections of the book each address a different art form, including photography, painting, the novel, architecture, music, theory, and film, using both text and photographs.
The critical response to 7 Controlled Vocabularies and Obituary 2004: The Joy of Cooking was generally positive. The poet Kenneth Goldsmith wrote, "Lin proposes a radical idea for reading: not reading. Words, so prevalent today, are merely elements that constitute fleeting engagements."
The work was the winner of a Book Award for poetry in 2012 from the Association for Asian American Studies.[17]
Introduction: Boredom and Nonsense in Wonderland. In Alice's Adventures in Wonderland and Through the Looking Glass, xi–xxxiii. New York: Barnes & Noble Classics, 2004.
Aarhus, Mathies G. "Relaxing the Avant-Garde: Tan Lin and the Language-Oriented Tradition." symplokē 24, no. 1–2 (2016): 293–307.
Golding, Alan. "Reading, the Academy, and the 'Soft' Avant-Garde: Tan Lin's HEATH and HEATH COURSE PAK." Paideuma: Modern and Contemporary Poetry and Poetics 44 (2017): 47–55.
