The piece is subtitled "Melodia lírica" (Lyrical Melody), is in E minor, marked "Andantino espressivo", and is the first of the Five Preludes, written in 1940. The others are in E major, A minor, E minor, and D major. It was first performed, together with its four companions, by Abel Carlevaro in Montevideo on 11 December 1942.[1]
This piece follows a ternary form which consists of a slow, yearning A section in E minor. The B section is more upbeat and lively in the key of E major.[citation needed]
Discography
The composer himself once recorded this prelude:
Villa-Lobos, O Intérprete. Prelude No. 1 and Chôros No. 1 (Villa-Lobos, guitar); Chôros No. 5, A lenda do caboclo, and "Polichinelo" from A prole do bebe (Villa-Lobos, piano; "Um canto que saiu das senzalas", "Guriata do coqueiro", "Nhapopê", and "Xangô" (Beate Roseroiter, soprano; Villa-Lobos, piano). Caravelle LP MEC/MVL 002.
References
^Villa-Lobos, sua obra. 2009. Version 1.0. MinC / IBRAM, and the Museu Villa-Lobos. Based on the third edition, 1989. p. 153.
Further reading
Appleby, David P. 1988. Heitor Villa-Lobos: A Bio-Bibliography New York: Greenwood Press. ISBN0-313-25346-3.
Béhague, Gerard. 1994. Villa-Lobos: The Search for Brazil's Musical Soul. Austin: Institute of Latin American Studies, University of Texas at Austin. ISBN0-292-70823-8.
Santos, Turíbio. 1985. Heitor Villa-Lobos and the Guitar, translated by Victoria Forde and Graham Wade. Gurtnacloona, Bantry, County Cork: Wise Owl Music. ISBN978-0-947600-02-0
Wright, Simon. 1992. Villa-Lobos. Oxford Studies of Composers. Oxford and New York: Oxford University Press. ISBN0-19-315476-5 (cloth); ISBN0-19-315475-7 (pbk).