Étude No. 10 is a study in technique that presents great challenges to the player. It is in ternary form (ABA), but the return of the opening material is transformed into dance-like rhythmic cells. An unusual technical feature is the use of the right-hand little finger.[3]
Santos, Turibio. 1985. Heitor Villa-Lobos and the Guitar, translated by Victoria Ford and Graham Wade. Gurtnacloona, Bantry: Wise Owl Music.
Villa-Lobos, sua obra. 1989. Third edition. Rio de Janeiro: MinC-SPHAN/Pró-Memória, Museu Villa-Lobos. Online edition, 2009
Further reading
Wright, Simon. 1992. Villa-Lobos. Oxford Studies of Composers. Oxford and New York: Oxford University Press. ISBN0-19-315476-5 (cloth); ISBN0-19-315475-7 (pbk).