The tarantella is a traditional dance form, and accompanying music, with a distinctive rhythm, from the south of Italy. Tarantellas appear in many pieces of classical music, in literature, and in popular culture.
Classical music
Mily Balakirev has a "Tarantella in B major".
Agustín Barrios wrote a "Tarantella for guitar (Recuerdos de Nápoles)".
Giuseppe Martucci wrote two tarantelle: Op. 9 (1873), and Op. 44, No. 6 (1880, orchestrated in 1908 titled "Danza").
John Corigliano wrote a tarantella as the fourth movement of his Gazebo Dances, which he later used as the basis of the second movement of his Symphony No. 1.
Claude Debussy wrote a piece called "Danse (Tarantelle styrienne)."
Santiago de Murcia, a baroque Spanish composer and guitarist, wrote "Tarantelas" for guitar.[4] It is No. 13 of his collection Saldivar Codex IV[5]
Albert Pieczonka, a pianist and composer who performed in Prussia, England, and the United States wrote a popular piano composition titled "Tarantella in A minor".
David Popper wrote a piece called "Tarantella, Op. 33", written in 6 8 time.
The fourth of Sergei Prokofiev's twelve easy pieces for piano—Musique d'Enfants, Op. 65—is a tarantella.
Camille Saint-Saëns composed "Tarantella, Op. 6 in A minor for flute, clarinet and orchestra, or for flute, clarinet and piano". He also transcribed this piece for two pianos.[3]
Gaspar Sanz, a baroque Spanish composer, notated the chords of a Tarantelas in his book of instructions for the Spanish (baroque) guitar.[6]
Pablo de Sarasate composed an Introduction and Tarantella for violin.
The fifteenth section of Igor Stravinsky's Pulcinella is a tarantella. This music is also the fourth movement of the composer's Pulcinella Suite and fifth of his Suite italienne.[3]
Extensive use of tarantellas is made in the French film Tous les soleils (2011).
Television
The Backyardigans episode "The Legend of the Volcano Sisters" features Tarantella as the music style du jour.
Stage
It has appeared in the musical version of Peter Pan (1954 on stage) with Mary Martin, and is danced by Captain Hook and his band of pirates, illustrating the above-mentioned occasional association with sword fights vis à vis the metaphor of pirates. In this performance, which is available on film, television, and DVD, the context is silly fun.
In the song "How I Saved Roosevelt" from Assassins, a tarantella is used to musically represent Giuseppe Zangara.
Hilaire Belloc's poem "Tarantella" (1929) mimics in words the progress of the dance, culminating in the stillness of death. Online versions of the poem vary: a reliable printed version can be found in The Oxford Book of Modern Verse.[13]
Edgar Allan Poe's short story "The Gold-Bug" (1843) features the introductory lines, "What ho! What ho! This fellow is dancing mad. He has been bitten by the tarantella", which Poe ascribes to a 1761 play by Arthur Murphy, although the lines do not appear in the play.[15]
Tim Powers' novel Medusa's Web (2015) uses the 18/8 version of the tarantella and its effect on (supernatural) spiders as a plot device.[16]
In Axis Powers Hetalia, Southern Italy/Romano cures his disease by dancing the tarantella with Spain; one of the songs sung by him, "The Delicious Tomato Song", is a tarantella.