Don Procopio, opéra bouffe, 2 acts, (C. Cambiaggio, after L. Prividali; composed 1858–59; first performance: Monte Carlo, 10 March 1906)
La prêtresse (The Priestess), opérette, 1 act, (P. Gille; composed ca. 1861; unperformed)
La guzla de l'émir (The Guzla of the Amir), opéra comique, (J. Barbier & M. Carré; composed ca. 1862; unperformed)
Ivan IV, opéra, 5 acts, (F.-H. Leroy & H. Trianon; composed ca. 1862–65; first performance: Württemberg, Mühringen Castle, 1946)
Les pêcheurs de perles (The Pearl Fishers), opéra, 3 acts, (E. Cormon & M. Carré; composed 1863; first performance: Paris, Théâtre Lyrique, 30 September 1863)
Marlbrough s'en va-t-en guerre (Marlbrough Goes to War), opérette, 4 acts, (P. Siraudin & W. Busnach; composed 1867, Act I only, lost; first performance: Paris, Théâtre de l'Athénée, 13 December 1867; the title was taken from the popular song "Marlbrough s'en va-t-en guerre")
La coupe du roi de Thulé (The Cup of the King of Thule), opéra, 3 acts, (L. Gallet & E. Blau; composed 1868–69, after his death the autograph full score was mutilated by various hands[2] and only fragments remain; first performance: (excerpts) BBC Radio, 12 July 1955)
Clarisse Harlowe, opéra comique, 3 acts, (Gille & A. Jaime, after S. Richardson; composed 1870–71, incomplete; unperformed)
Djamileh, opéra comique, 1 act, (Gallet, after A. de Musset; composed 1871; first performance: Paris, Opéra-Comique (Favart), 22 May 1872)
Don Rodrigue, opéra, 5 acts, (Gallet & Blau, after G. de Castro y Bellvis; composed 1872, incomplete draft; unperformed)
Carmen, opéra comique, 4 acts, (H. Meilhac & L. Halévy, after P. Mérimée; composed 1873–74; first performance: Paris, Opéra-Comique (Favart), 3 March 1875)
Incidental music:
L'Arlésienne (The Girl from Arles), incidental music, 3 acts (A. Daudet; composed 1872; first performance: Paris, Théâtre Vaudeville, 1 October 1872)
Orchestral works
Overture in A Minor/A Major (“Première Ouverture”), 1855
Suite No. 1 from the above-listed incidental music for Daudet’s L’Arlésienne, compiled in 1872 by Bizet himself
Suite No. 2 from L’Arlésienne, compiled by Guiraud in 1879 after Bizet’s death
The two suites of music from Carmen were arranged by Ernest Guiraud, No. 1 in 1882 : Prélude—Aragonaise (Act IV Entr’acte)—Intermezzo (Act III Entr’acte)—Séguedille—Les dragons d’Alcalá (Act II Entr’acte)—Les toréadors, and No. 2 in 1887: Marche des contrebandiers—Habanera—Nocturne (Act III Air de Micaëla)—Chanson du toréador (Act II)—La garde montante (Act I)—Danse bohème
Feuilles d'album (1866): "À une fleur" (de Musset), "Adieux à Suzon" (de Musset), "Sonnet" (Ronsard), "Guitare" (Hugo), "Rose d'amour" (Millevoye), "Le grillon" (Lamartine)
Pastorale (Regnard, 1868)
Rêve de la bien-aimée (de Courmont, 1868; dedicated to Léontine de Maësen)
Voyage, Aubade, La nuit, Conte, Aimons, rêvons!, La chanson de la rose, Le Gascon, N'oublions pas!, Si vous aimez!, Pastel, l'abandonnée (these songs are from unidentified unfinished dramatic works)
Works for piano
Nocturne in F major
Variations chromatiques de concert (Chromatic Variations in Concert; orchestrated by Felix Weingartner in 1933)
Caprice in C♯ minor
Caprice in C major
Chasse fantastique (The Fantastic Hunt)
Romance sans paroles (Romance Without Words) in C major
Thème brilliant in C
Valse in C major
Trois esquisses musicales (Three Musical Sketches)
Grande valse de concert in E♭
Marine
Nocturne in D major
Impromptu in E-flat Major (Ends in E-Flat Minor)
Moment Musicaux in F Minor (Ends in F Major)
Chants du Rhin (Songs of the Rhine)
Four préludes
Chansons-Mélodies Romances sans Paroles: Chanson d'Avril, Extase, Méditation : Souvenir de l'Arlésienne[3]
Fromental Halévy – Noé, opéra, 3 acts (Saint-Georges; composed 1858–62 and left unfinished at Halévy's death; completed by Bizet; first performance Karlsruhe, 5 April 1885)
^ abCD ADW7515, Pavane Records, 2007. Souvenir de l'Arlésienne is the Intermezzo from L'Arlésienne ; Venise is the air "Je crois entendre encore" from Les pêcheurs de perles