George William Kyeyune
Professor George William Kyeyune (born 1962) is an artist and professor at the Makerere University, Kampala, Uganda.[1][2] He lectures in sculpture and history of African art at the College of Engineering, Design, and Technology – Makerere University, with research interest in contemporary art and metal casting technology.[2] He is also the vicar of the Namirembe Cathedral of the Church of Uganda.[3] Early lifeProf. George Kyeyune was born in 1962 into a traditional Ugandan family at Masaka, Kyanamukaka Subcounty in central Uganda.[1] At an early age, he started depicting signs of an artist by drawing pictures using the ground as his canvas. This later translated into a career in art (painting and sculpture).[1] EducationProf. George Kyeyune was a product of the then Margaret Trowell School of Fine Arts (now Margaret Trowell School of Industrial and Fine Arts), where he graduated with a Bachelor of Fine Art in 1985.[1] And later obtained a Diploma in Education the following year. Prof. George Kyeyune obtained a Master of Fine Arts Degree from the Maharaja Sayajirao University of Baroda, India with speciality in Sculpture.[1] In 1999, Prof. George Kyeyune received a scholarship from the Commonwealth Scholarship Commission to Study for his PhD in Art History at the School of Oriental and African Studies (SOAS), University of London.[4][1] CareerProf. George Kyeyune returned from India and took up a teaching position in sculpture at his former school.[1] He is currently an associate professor at the College of Engineering, Design, and Technology – Makerere University.[2] He also does sculpture and painting for exhibitions.[5] Some of his works includes: The Kampala I Will Always Come Back To (2011); At the Salon (2011); Gossip I & II (2011); Telephone Call (2011); Roadside Vendor (2011); Boodaboda I, II & III (2011); En Route from Mbale (1983) and Jesus Writing in the Sand (1983) among others.[6] Personal lifeProf. George Kyeyune is father to the Ugandan musician Ragga Dee (born Daniel Kazibwe).[7][8] References
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