Gampopa
Gampopa Sönam Rinchen (Tibetan: སྒམ་པོ་པ་བསོད་ནམས་རིན་ཆེན་, Wylie: sgam po pa bsod nams rin chen, 1079–1153) was the main student of Milarepa, and a Tibetan Buddhist master who codified his own master's ascetic teachings, which form the foundation of the Kagyu educational tradition. Gampopa was also a doctor and tantric master. He authored the first Lamrim text, Jewel Ornament of Liberation, and founded the Dagpo Kagyu school. He is also known as Dvagpopa, and by the titles Dakpo Lharjé "the physician from Dakpo" (Tibetan: དྭགས་པོ་ལྷ་རྗེ་, Wylie: dwags po lha rje) and Daö Zhönnu, "Candraprabhakumara" (Tibetan: ཟླ་འོད་ཞོན་ནུ་, Wylie: zla 'od gzhon nu).[1][2] BiographyGampopa was born in the Nyal (or Nyel) district, Central Tibet and from an early age was a student of medicine in the Indian, Chinese and Tibetan medical traditions.[3] Later in his life he moved to the region of Dakpo (dwags po) in southern Tibet and hence was also called Dakpopa (dwags po pa), the man from Dakpo. The region is also near Gampo Hills, hence his other name, Gampopa.[4] In his youth Gampopa studied under the Nyingma lama Barey as well as under the Kadampa teacher Geshe Yontan Drag.[5] He married a daughter of a man named Chim Jose Darma Wo (mchims jo sras dar ma 'od) and had a child, but they both died, causing him to renounce the householder's life. In 1104, at the age of twenty-five he took ordination, either in Dakpo or in Penyul, at Gyachak Ri monastery ('phan yul rgya lcags ri), receiving the name Sönam Rinchen (bsod nams rin chen)."[6] After becoming a monk in the Kadampa lineage under Geshe Lodan Sherab and focused on studying the Kadampa teachings.[7] In his 30s he sought out and became the foremost student of the yogi Milarepa.[8] Milarepa instructed him in the practice of Vajravārahī, tummo (gtum mo) and Mahāmudrā.[9] Gampopa's position in the transmission lineage of the Mahamudra teaching is as follows:
This lineage sequence, taken together, is called the "Five Founding Masters" by the Kagyu school. After his studies with Milarepa, Gampopa founded Daklha Gampo Monastery (Dwags lha sgam po) in 1121 CE. He had many great students who were accomplished tantric practitioners, both monks and laymen.[10] Gampopa's teaching joined the Lamrim teachings of the Kadampa school with the Mahamudra and tantric teachings of the Kagyu school.[11] According to Tony Duff, he taught Mahamudra in two approaches, "one is a gradual approach called the Four Yogas of Mahamudra, the other is a sudden approach called Essence Mahamudra."[12] Dagpo Kagyu LineagesGampopa taught extensively, and attracted many students. He is the source of the major surviving Kagyu sub-schools, all known as the Dagpo Kagyu. Following Gampopa, there evolved the so-called "Four Major and Eight Minor" lineages of the Dagpo (sometimes rendered "Tagpo" or "Dakpo") Kagyu School. This phrase is descriptive of the generation or order in which the schools were founded, not of their importance. The four "major" Kagyu schools were those of:
The succession of Gampopa's own monastery passed to his nephew, Dakgom Tsültrim Nyingpo (Wylie: dwags sgom tshul khrims snying po, 1116-1169). TeachingsGampopa's most famous teaching is known as "The Four Dharmas of Gampopa", this is outlined, for example, in a key text of Gampopa called The Four Dharmas in Brief:[17]
The Four Dharmas in Brief further states about each of the four Dharmas: (1) Dharma to turn to dharma means to meditate on impermanence, the fact that all things will be left behind at death and that only Dharma is of use, all must be renounced except Dharma.[19] (2) Dharma turns into the path is explained as:
(3) The Path is to be used to dispel confusion means that "confusion has to be dispelled from top to bottom", Gampopa explains this as follows:
(4) Confusion turns into wisdom:
The doctrine is the subject of several further short texts found in Gampopa's collected works and numerous commentaries by later authors. It also has a close connection to Sachen Kunga Nyingpo's Parting from the Four Attachments.[21] WorksGampopa's collected works (known as the Dags po'i Bka' 'bum) were published in Dvag Lha Gampo monastery, but that edition has been lost. There are three main editions extant today:[22]
Gampopa's The Jewel Ornament of Liberation (Wylie: dam chos yid bzhin nor bu thar pa rin po che'i rgyan) is one of his most important works, it has been translated into English, first by Herbert Guenther in 1959 and again by Khenpo Konchok Gyeltsen in 1998. See alsoNotes
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