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Arche (oratorio)
Arche (German: [ˈaʁçə] ⓘ; Ark, stylised as ARCHE) is an oratorio for soloists, choirs, organ and orchestra by Jörg Widmann. It was commissioned by Kent Nagano and the Hamburg Philharmonic State Orchestra for the opening of the Elbphilharmonie, Hamburg. In the premiere on 13 January 2017, he conducted 300 performers. Background Jörg Widmann composed the oratorio ARCHE in 2016.[1] Kent Nagano commissioned a full-length work for choir and orchestra and did not make any content restrictions.[2] The commission of the Hamburg Philharmonic State Orchestra for the opening of the Elbphilharmonie has 300 performers with two soloists, two adult choirs and a children's choir.[3][4] Two child narrators chronicle the acts of creation and the flood.[1] Widmann's work was inspired by the Elbphilharmonie under construction;[3] the concert hall looks like a ship.[a][6] StructureARCHE is structured in five sections,[b] in which Widmann roams through more than 3000 years of cultural and 300 years of music history.[8] Antithetic or dualistic conceptions characterize large parts of the oratorio.[9] Widmann juxtaposes word with deed, construction with destruction, love with hate and religious traditions with the ideals of enlightenment.[10] Sacred references are placed into a secular context.[11] I – Fiat lux / Es werde Licht
Beginning with silence: Let there be sound.[1] At first noise-like sounds of wind and nature and "pitchless rustles and whispers", representing chaos.[12][13][14] Air sounds and breath noises are created with wind instruments. The acts of creation are partly accompanied with heavenly chorales and burlesque, ironical musical episodes.[13] The two children narrators describe the act of creation.[15] II – Die Sintflut
The catastrophic character is manifested by cascading masses of sound.[17] The music of this section is partly taken from Scene II "Flood and Star Terror" of Widmann's opera Babylon.[18] The flood myth of Sumerian narratives, also manifested in the Epic of Gilgamesh, likely references an event around 6700 BC.[19] The punishing god acts brutally against humanity.[20] III – Die Liebe
The center section is characterized by antiphony between the lovers (soprano and baritone) with tragic operatic fragments.[21] All forms of love and hate are found within it – dark, bright, joyous, vile and jealousy.[7] Because of the jealousy of humans, Die Liebe leads to a double murder in a delusional fever.[22] IV – Dies irae
The strict setting of Dies irae represents the impending apocalypse with the clash of good and evil and gods last judgement.[d][23][20] Diverse Requiem settings clash in a collage-like manner.[24] The human response is enlightenment and Friedrich Schiller's Ode to Joy.[e] Widmann sets verses of the poem to music, that Beethoven didn't use ("Destroy our book of guilt! Reconcile the whole world!").[24][26][14] His setting of the poem cites Beethoven's Choral Fantasy.[f][27] V – Dona nobis pacem
Modern Zeitgeist is represented by an alphabet rap of the children's choir ("Facebook, Google, NATO").[11] The response is a Dona nobis pacem,[g] a plea for peace,[23] performed by a boy soprano and the choirs. Man bears the fate of the earth in his own hands.[22] Widmann did not set a catastrophic counterpoint in the final fifth movement.[28] The resolution of the final cadence is not complete,[29][14] the hope for love, charity and a rational humanity.[30] ScoringThe setting contains voices and a large orchestra.[1]
Instrumentation
TextThe language of the oratorio is German and Latin. Widmann selected a variety of texts[14] from different centuries, including the libretti of his operas Das Gesicht im Spiegel and Babylon:[1] and from Des Knaben Wunderhorn, Bible and Mass. Premiere and performancesWidmann's oratorio ARCHE had its world premiere on 13 January 2017 on the occasion of the opening festivities of the Elbphilharmonie in Hamburg.[31] It was performed by the Hamburg Philharmonic State Orchestra conducted by Kent Nagano. Soloists were Marlis Petersen (soprano), Thomas E. Bauer (baritone), Gabriel Böer (boy soprano), and Jonna Plathe and Boris Özden (children narrators).[1] The choirs were Chor der Hamburgischen Staatsoper, Audi Jugendchorakademie and Hamburger Alsterspatzen.[1] On 12 November 2022, Karina Canellakis conducted the Radio Filharmonisch Orkest at Concertgebouw, Amsterdam.[32] On 4 and 5 June 2023, the oratorio was revived at Elbphilharmonie, Hamburg. Bauer would reprise his performance as the baritone soloist, while Mojca Erdmann sang the soprano solo.[33][34] ReceptionA few German newspapers critically reviewed the premiere of ARCHE.[35][36][3][37][38] The neue musikzeitung stated that the oratorio is capable of winning a majority.[39] Eleonore Büning, reviewer of the Frankfurter Allgemeine Zeitung, wrote about the enthusiasm of the audience, and that Widmann's splendid, richly orchestrated music breaks all genre and style boundaries.[40] Süddeutsche Zeitung wrote, that the work is diverging, and also undecided in its message.[41] Andrew Clements, reviewer of The Guardian, wrote about the CD production: "fails to convince".[42] AwardsWidmann received the Opus Klassik "Composer of the Year" 2019 Award for ARCHE.[43] In 2023, the composer received the Bach Prize of the Free and Hanseatic City of Hamburg, General Music Director Kent Nagano became Honorary Conductor of the Hamburg Philharmonic State Orchestra.[33] Recording
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