America Meredith (Cherokee Nation) is a painter, curator, educator, and editor of First American Art Magazine.[1][2] America Meredith is an artist and comes from a Swedish-Cherokee background who blends pop imagery from her childhood with European and Native American styles.[3]
Background
America Meredith was born in 1972 to Howard Meredith, a Cherokee author and American Indian Studies professor, and Mary Ellen Meredith, a Cherokee museum director and curator. Meredith's maternal grandfather was William Thomas Milam, a Cherokee photographer and aeronautical engineer from Oklahoma. Both of her grandmothers were Swedish-American. W. T. Milam's uncle was J. B. Milam, the Principal Chief of the Cherokee Nation, and his great-uncle was Will Rogers, a Cherokee humorist, actor, and movie producer.[4]
Meredith paints with acrylic, gouache, watercolor, and egg tempera.[7] In the series, The Cherokee Spokespeople Project, handmade paintings and drawings illustrate Cherokee words that are reproduced as spokecards, which were distributed to cycle couriers and cyclists worldwide.[8]
Art career
In addition to her studio practice, Meredith curates shows such as Frybread and Roses: Art of Native American Labor (2006)[9] and Freedom of Information: The FBI, Indian Country, and Surveillance, which she co-curated with Ishkoten Dougi (Jicarilla Apache) in 2010.[10] At Ahalenia Studios in Santa Fe, Meredith and other Native American artists, such as Melissa Melero-Moose (Northern Paiute/Modoc) and Sam Haozous (Chiricahua Apache), curate shows "too edgy, too silly, or otherwise inappropriate for other local galleries."[11]
In 2019, she co-curated with Jean Merz-Edwards Stories from the Land: Indigenous Voices Connecting within the Great Plains at the Birger Sandzén Memorial Gallery,[12] and co-curated with Callie Chunestudy (Cherokee Nation) Earth Shakers: The Influence of Cherokee Women at the Cherokee Heritage Center.[13]
Meredith serves on the board of the Cherokee Arts and Humanities Council, a grassroots community organization based in northeastern Oklahoma.[17] She is active in the movement to revitalize Indigenous languages. Meredith says she sees Indigenous tribal people as "the future, not the past, in our globalized world."[2]
2010–14: Indigenous Brilliance: Contemporary Native American Art Exhibition, Highgate Institute, London, England (2012); Palazzo Vecchio, Seborga, Italy; Casa de la Señoría, Olocau, Spain (2013); Amsterdam; curated by Elijah Vandenberg and Lyle Toledo Yazzie.
2012: Reconquête par l'Art, Festival America de Vincennes 2012, La galerie Orenda, Vincennes, France
2012: Messengers, Rainmaker Art Gallery, Bristol, England, curated by Joanne Prince.
2012: Low-Rez: Native American Lowbrow Art, Santa Fe, NM[23]
2009 United Nations Permanent Forum on Indigenous Issues Art Show. United Nations, New York, New York.[16]