Paula Modersohn-Becker (terlahir dengan nama Minna Hermine Paula Becker, 8 Februari 1876 – 20 November 1907) adalah seorang pelukis asal Dresden, Jerman. Ia adalah salah satu pelukis di masanya yang memelopori paham ekspresionisme.
Galeri
Self portrait (1902)
Mädchen mit Strohhut und Blume (1902)
Stillende Mutter (1902)
Bauernkind auf rotgewürfeltem Kissen (c. 1904)
Mädchen mit Kaninchen (1905)
Still life (1906)
Untitled (1906)
Self-Portrait (1906)
Selbstporträt (1907)
Kinderakt mit Goldfischglas (1907k)
Stilleben mit Tonkrug (1907)
Die Malerin mit Kamelienzweig (Selbstporträt), (1907)
Referensi
Bacaan lebih lanjut
Marina Bohlmann-Modersohn: Paula Modersohn-Becker. Eine Biographie mit Briefen. 3. Auflage. Knaus, Berlin 1997, ISBN3-8135-2594-5
Janet M.C. Burns: "Looking as Women: The Paintings of Suzanne Valadon, Paula Modersohn-Becker and Frida Kahlo". Atlantis, vol. 18, no 1&2 (1993):25-46.
Günther Busch, Liselotte von Reinken, Arthur S. Wensinger, Carole Clew Hoey: Paula Modersohn-Becker, The Letters and Journals. Northwestern University Press, 1990
Anne Higonnet: "Making Babies, Painting Bodies: Women, Art, and Paula Modersohn-Becker's Productivity." Woman's Art Journal, vol. 30, no. 2 (2009):15-21, illus.
Averil King, Paula Modersohn-Becker, 'Antique Collectors Club, 2006
Paula Modersohn-Becker: The Letters and Journals of Paula Modersohn-Becker. Translated & annotated by J. Diane Radycki. Introduction by Alessandra Comini
Epilogue of poetry by Rainer Maria Rilke (Requiem, 1908, translated by Adrienne Rich & Lilly Engler) and by Adrienne Rich ("Paula Becker to Clara Westhoff", 1975–76). Metuchen, N.J., & London: The Scarecrow Press, Inc., 1980. ISBN0-8108-1344-0
Paula Modersohn-Becker, Sophie Dorothee Gallwitz: Eine Künstlerin: Paula Becker-Modersohn. Briefe und Tagebuchblätter. Kestner-Gesellschaft, Hanover 1917
Gillian Perry: Paula Modersohn-Becker: Her Life and Work. Harper & Row 1979
Diane Radycki: "American Women Artists in Munich, or Die Frauen ohne Schatten." In: American Artists in Munich: Artistic Migration and Cultural Exchange Processes, eds. Christian Fuhrmeister, Hubertus Kohle and Veerle Thielemans, pp. 109–24, illus. Modersohn-Becker & O'Keeffe. Berlin, München: Deutscher Kunstverlag, 2009. ISBN978-3-422-06833-9
Diane Radycki: "Paula Modersohn-Becker: The Gendered Discourse in Modernism." Ph.D.dissertation, Harvard University, 1993 (readers: Konrad Oberhuber and Norman Bryson). UMI 93-31,015
Diane Radycki: "Pictures of Flesh: Modersohn-Becker and the Nude." Woman's Art Journal, vol. 30, no. 2 (2009):3-14, illus. home.moravian.eduDiarsipkan 2020-09-15 di Wayback Machine.
Diane Radycki: "Pretty/ Ugly: Morphing Paula Modersohn-Becker and Marie Laurencin." Make, no. 72 (1996):19-21, illus.
Diane Radycki: Paula Modersohn-Becker: The First Modern Woman Artist. Yale Press, 2013 (diakses di amazon.com)
Rainer Stamm: "Paula Modersohn-Becker and the Body in Art." Woman's Art Journal, vol. 30, no. 2 (2009):22-4, illus.
Monica J. Strauss: "Helen Serger's Galerie La Boetie: Paula Modersohn-Becker on Madison Avenue." Woman's Art Journal, vol. 30, no. 2 (2009):32-5, illus.
