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Jonathan Harvey (komponis)
Jonathan Dean Harvey (3 Mei 1939 – 4 Desember 2012)[1][2] adalah seorang komposer Britania Raya. Ia memegang posisi pengajar di universitas dan konservatori musik di Eropa dan Amerika Serikat.
Referensi
- ^ "Jonathan Harvey", Faber Music
- ^ Richard Morrison (5 December 2012). "British Composer Jonathan Harvey Dies". The Times. Diakses tanggal 5 December 2012.
Bacaan lebih lanjut
- Alcorn, P. M. (1992). Perspectives of Electroacoustic Music: A Critical Study of the Electroacoustic Music of Jonathan Harvey, Denis Smalley and Trevor Wishart. Ph.D. diss. Durham: University of Durham.
- Beaumont, Adrian (1998). "Expectation and Interpretation in the Reception of New Music: A Case Study". In Composition—Performance—Reception: Studies in the Creative Process, edited by Wyndham Thomas, 93–104. Aldershot: Ashgate. ISBN 1-85928-325-X.
- Bossis, Bruno (2017). "Les premiers contacts de Jonathan Harvey avec la technologie et la Set Theory, vers une pensée musicale à la fois structuraliste et spiritualiste." Nuove Musiche no. 3: 29–44.
- Bossis, Bruno (2004). "Mortuos plango, vivos voco de Jonathan Harvey ou le miroir de la spiritualité". Musurgia: Analyse et pratique musicales 11, nos. 1–2 (Images de la Voix): 119–144.
- Bowling, Irene Ruth (1989). "British Piano Music Since 1945: A Selected Survey". DMA diss. Seattle: University of Washington.
- Brech, Martha (1993). Analyse elektroakustischer Musik mit Hilfe von Sonagrammen. Europäische Hochschulschriften XXXVI: Musikwissenschaft, Nr. 118. Frankfurt am Main: Peter Lang. ISBN 3-631-47427-X.
- Brech, Martha (1999). "Im Spannungsfeld zwischen Archaik und Moderne: Riten im Electronic Listening und der Elektroakustischen Musik". In Musik und Ritual: Fünf Kongreßbeiträge, zwei freie Beiträge und ein Seminarbericht, edited by Barbara Barthelmes and Helga de la Motte-Haber, 89–109. Veröffentlichungen des Instituts für Neue Musik und Musikerziehung Darmstadt, no. 39. Mainz: Schott. ISBN 978-3-7957-1779-7.
- Brown, David (1968). "Jonathan Harvey". The Musical Times 109, no. 1507 (September) 808–810.
- Denut, Éric (2002). "Chemins de traverse entre l'un et le multiple: Une introduction à l'œuvre de Jonathan Harvey". Musica falsa: Musique, art, philosophie, no. 16 (Fall): 36–39.
- Donin, Nicolas (2006). "Spatialization as a Compositional Tool and Individual Access to Music in the Future". Circuit: Musiques contemporaines 16, no. 3: 75–81.
- Felici, Candida (2017). "Spectral thinking as spiritual search ...und electronics ist auch dabei: Jonathan Harvey's Tombeau de Messiaen, String Quartet No. 4 and Speakings." Nuove Musiche no. 3: 119–153.
- Foreman, Ronald Lewis Edmund (ed.) (1975). British Music Now: A Guide to the Work of Younger Composers. London: Elek.
- Fuchs, Jörn Florian (2007). "Buddhistische Träume aus Licht und Elektronik: Jonathan Harveys Wagner Dream am Grand Théâtre de Luxembourg uraufgeführt (6. Juni 2007)". Wagnerspectrum 3, no. 2:185–186.
- Γεωργάκη, Αναστασία [Geōrgakī, Anastasia] (2004). "Η μεταφυσική διάσταση της συνθετικής τραγουδιστής φωνής στο έργο Mortuos Plango-Vivos Voco (J. Harvey, 1980)" [The Metaphysical Dimension of the Synthetic Singing Voice in the Work Mortuos plango, vivos voco (J. Harvey, 1980)]. Polyfōnia, no. 4 (Spring): 57–92.
- Griffiths, Paul (1984). "Three Works by Jonathan Harvey: The Electronic Mirror". Contemporary Music Review 1, no. 1 (Musical Thought at IRCAM) 87–109.
- Griffiths, Paul (1985). New Sounds, New Personalities: British Composers of the 1980s in Conversation with Paul Griffiths. London: Faber and Faber. ISBN 0-571-10061-9.
- Groot, Rokus de (2002). "De klank van het oosten: Transformaties in de westerse klassieke muziek onder invloed van concepten over het oosten—Klank en spiritualiteit". Krisis: Tijdschrift voor empirische filosofie 3, no. 4:96–105.
- Halász, Péter (1994). "Beszélgetés Jonathan Harvey angol zeneszerzővel" [Interview with the English Composer Jonathan Harvey]. Muzsika 37, no. 9 (September): 33–36.
- Jenkins, Matthew (2006). "A Search for Emptiness: An Interview with Jonathan Harvey". Perspectives of New Music 44, no. 2 (Summer): 220–231.
- Johnson, Julian M. (2003a). "Precarious Rapture: The Recent Music of Jonathan Harvey". In Aspects of British Music of the 1990s, edited by Peter O'Hagan, 63–84. Burlington, Vermont: Ashgate. ISBN 0-7546-3041-2.
- Johnson, Julian M. (2003b). "A [sic] Interview with Jonathan Harvey". In Aspects of British Music of the 1990s, edited by Peter O'Hagan, 119–129. Burlington, Vermont: Ashgate. ISBN 0-7546-3041-2.
- Joos, Maxime (2002). "'La cloche et la vague': Introduction à la musique spectrale—Tristan Murail et Jonathan Harvey". Musica falsa: Musique, art, philosophie, no. 16 (Fall): 30–31.
- Josipovici, Gabriel (1989). "Music and Literary Form". Contemporary Music Review 5 (Music and Text): 65–75.
- Kennedy, Michael (2006), The Oxford Dictionary of Music, 985 pages, ISBN 0-19-861459-4
- Palmer, John (1998a). "Jonathan Harvey's Inquest of Love: The Redemptive Spirit of Art". 20th-Century Music 5, no. 5 (May): 8–11.
- Palmer, John (1998b). "A Conversation with Jonathan Harvey". 20th-Century Music 5, no. 8 (August): 1–8.
- Palmer, John (1998c). "An Introduction to Jonathan Harvey's Bhakti". 20th-Century Music 5, no. 11 (November): 6–15.
- Palmer, John (1998d). "Structural Strategies and Pitch Gestalt in Jonathan Harvey's Bhakti". 20th-Century Music 5, no. 12 (December): 4–24.
- Palmer, John (2001). Jonathan Harvey's Bhakti for Chamber Ensemble and Electronics: Serialism, Electronics, and Spirituality. Studies in the History and Interpretation of Music 77. Lewiston, New York : Edwin Mellen Press. ISBN 0-7734-7436-6.
- Pavia, Marcela (2017). "Tombeau de Messiaen, ovvero del dualismo armonia/timbro." Nuove Musiche no. 3: 83–117.
- Samson, Jim (1981). "Nowe tendencje w angielskiej muzyce orkiestrowej" [New Trends in British Orchestral Music]. Muzyka: Kwartalnik poświęcony historii i teorii muzyki 26, no. 2:3–21.
- Seo, Juri (2013). Jonathan Harvey's String Quartets. DMA diss. University of Illinois at Urbana-Champaign.
- Seo, Juri (2017). "Jonathan Harvey's String Quartets Nos. 1 and 2." Nuove Musiche no. 3: 45–81.
- Smalley, Denis (1993). "Defining Transformations". Interface: Journal of New Music Research 22, no. 4 (November): 279–300.
- Smith, Pamela (1989). "Towards the Spiritual: The Electroacoustic Music of Jonathan Harvey". Contact, no. 34 (Fall): 11–16.
- Solomos, Makis (1998). "L'identité du son: Notes croisées sur Jonathan Harvey et Gérard Grisey". Résonance: Semestriel d'information musicale, no. 13 (March): 12–15.
- Sykes, Claire (2003). "Spiritual Spectralism: The Music of Jonathan Harvey". Musicworks: Explorations in Sound, no. 87 (Fall): 30–37.
- Thompson, Daniel N. (1999). "Beyond Duality: Stasis, Silence, and Vertical Listening". Current Musicology, nos. 67–68 (Fall–Winter): 487–517.
- Vandenheede, Jan (1992). "Jonathan Harvey's Ritual Melodies". Interface: Journal of New Music Research 21, no. 2) 149–183.
- Whittall, Arnold (1999). Jonathan Harvey. London: Faber. ISBN 0-571-19581-4. French edition, as Jonathan Harvey, translated by Peter Szendy, and Éric De Visscher. Paris: L'Harmattan, 2000. ISBN 2-7384-8860-9.
- Whittall, Arnold (2001). "Harvey, Jonathan (Dean)". The New Grove Dictionary of Music and Musicians, 2nd edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan.
- Whittall, Arnold (2017). "The Essence of Jonathan Harvery." Nuove Musiche no. 3: 13–27.
- Winter, John (1985). "Jonathan Harvey's Church Music". Composer, no. 84 (Spring): 16–21.
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