Paul's bass line was probably the most inventive of any he'd done since Pepper, and it was really well played. Harrison's solo was sparkling, too--one of the few times that he nailed it right away. His amp was turned up really loud, and he used one of his new fuzz boxes, which made his guitar absolutely scream.
2006年The Beatles重混專輯Love中的Lady Madonna加進了歌曲的結他重複段(但由B小調轉為A大調)和在Blue Jay Way過渡段中加進了曲中樂手的笑聲。
Paul在1994年憶述此歌:
I remember (it) as being one of John's songs and I helped him finish it off in the studio, but it's mainly his vibe. There's a little rap at the end between John and I, we went into a crazy little thing at the end. We always tried to make every song different because we figured, 'Why write something like the last one? We've done that.' We were on a ladder so there was never any sense of stepping down a rung, or even staying on the same rung, it was better to move one rung ahead.