La discographie de Cannonball Adderley, saxophoniste américain de jazz, comprend une cinquantaine de disques enregistrés en studio ou en live et publiés en tant que leader. Cannonball Adderley a aussi collaboré avec de nombreux musiciens, en particulier Miles Davis.
Discographie
Dans les années 1960, Cannonball Adderley fait paraître de nombreux disques enregistrés lors de concerts. Son principal succès est cependant l'album Mercy, Mercy, Mercy!, enregistré en studio avec un public et qui rencontre un grand succès à sa sortie[1],[2].
En leader
Années 1950
Années 1960
| Enregistrement
|
Nom de l'album
|
Label
|
Notes
|
| 1960
|
Them Dirty Blues
|
Riverside Records.
|
Album studio.
|
| 1960
|
Cannonball Adderley and the Poll Winners
|
Riverside Records.
|
Album studio.
|
| 1960
|
The Cannonball Adderley Quintet at the Lighthouse
|
Riverside Records.
|
Album live.
|
| 1961
|
Know What I Mean ?
|
Riverside Records.
|
Album studio. Avec la participation du pianiste Bill Evans.
|
| 1961
|
African Waltz
|
Riverside Records.
|
Album studio. Accompagné par un orchestre dirigé par Ernie Wilkins.
|
| 1961
|
Cannonball Adderley Quintet Plus
|
Riverside Records.
|
Album studio.
|
| 1961
|
Nancy Wilson/Cannonball Adderley
|
Capitol Records.
|
Album studio. Avec la chanteuse Nancy Wilson.
|
| 1962
|
The Cannonball Adderley Sextet in New York
|
Riverside Records.
|
Album live. Enregistré au club new-yorkais Village Vanguard.
|
| 1962
|
Cannonball in Europe!
|
Riverside Records.
|
Album live.
|
| 1962
|
Jazz Workshop Revisited
|
Riverside Records.
|
Album live.
|
| 1962
|
Cannonball's Bossa Nova
|
Riverside Records.
|
Album studio.
|
| 1963
|
Nippon Soul
|
Riverside Records.
|
Album live. Enregistré lors d'un concert au Shankai Hall à Tokyo.
|
| 1963
|
Autumn Leaves
|
Riverside Records.
|
Album live. Morceaux supplémentaires de sa tournée au Japon.
|
| 1963
|
Cannonball Adderley Live!
|
Capitol Records.
|
Album live.
|
| 1964
|
Live Session!
|
Capitol Records.
|
Album live.
|
| 1964
|
Cannonball Adderley's Fiddler on the Roof
|
Capitol Records.
|
Album studio.
|
| 1965
|
Domination
|
Capitol Records.
|
Album studio. Avec un orchestre dirigé par Oliver Nelson.
|
| 1966
|
Money in the Pocket
|
Capitol Records.
|
Album live.
|
| 1966
|
Great Love Themes
|
Capitol Records.
|
Album studio.
|
| 1966
|
Mercy, Mercy, Mercy!
|
Capitol Records.
|
Album studio. L'enregistrement a lieu à Los Angeles et non à Chicago comme le laisse sous entendre le sous-titre. En 1967, l'album se classe en tête du Billboard dans les catégories albums de jazz et album de R&B[3]. L'album remporte un Grammy Award dans la catégorie meilleur album de jazz instrumental.
|
| 1966
|
Cannonball in Japan
|
Capitol Records.
|
Album live.
|
| 1967
|
74 Miles Away
|
Capitol Records.
|
Album live.
|
| 1967
|
Why Am I Treated So Bad!
|
Capitol Records.
|
Album live.
|
| 1968
|
In Person
|
Capitol Records.
|
Album live.
|
| 1968
|
Accent on Africa
|
Capitol Records.
|
Album studio.
|
| 1969
|
Country Preacher
|
Capitol Records.
|
Album live.
|
Années 1970
| Enregistrement
|
Nom de l'album
|
Label
|
Notes
|
| 1970
|
The Cannonball Adderley Quintet & Orchestra
|
Capitol Records.
|
Album studio.
|
| 1970
|
Love, Sex and the Zodiac
|
Capitol Records.
|
Album studio.
|
| 1970
|
The Price You Got to Pay to Be Free
|
Capitol Records.
|
Album live.
|
| 1970
|
The Happy People
|
Capitol Records.
|
Album live. Avec la participation de Flora Purim.
|
| 1970
|
Black Messiah
|
Capitol Records.
|
Album live. Enregistré au Troubadour situé à l'ouest d'Hollywood à Los Angeles.
|
| 1970
|
Music You All
|
Capitol Records.
|
Album live.
|
| 1973
|
Inside Straight
|
Milestone Records.
|
Album live.
|
| 1974
|
Pyramid
|
Milestone Records.
|
Album studio.
|
| 1975
|
Phenix
|
Fantasy Records.
|
Album studio.
|
Principales collaborations
Notes et références
Notes
Références
