Wish is the second solo album of former Undertones singer Feargal Sharkey. Released in 1988, three years after his successful self-titled solo debut, the album was considered to be somewhat disappointing and was not as successful as its predecessor.
Background
Upon release, Sharkey told the Sunday Independent: "I've never devoted myself so much to an album before, so if it comes out, and nobody gives a damn about it, I would be extremely disappointed, to say the least."[2]
"Blue Days" was inspired by the Troubles in Northern Ireland. Sharkey told the Sunday Independent: "It's about my last return to Derry, and how soul-destroying I found it, seeing what living there has done to all my old friends."[2] He added to Record Mirror: "I wrote the song because I believe that at the end of the day, despite sectarian differences, nobody is happy with what's going on in Ireland." The title was inspired by Rev Ian Paisley's comment: "We will never forsake the blue skies of Ulster for the grey mists of an Irish republic."[3]
Upon release, John Aizlewood of Number One said: "So why is our Fearg hitless? One things for sure, it can't be the music. Wish is a steady grower which creeps up on you like exams, only it's fun to listen to! And does that voice fair quiver? It does indeed. Nice one Fearg, ignore the barrackers."[5]Billboard described the album as an "even-better follow-up" to Sharkey's debut, and one that "should soon be sitting firmly at the top of the charts".[7]Cash Box described the album as "a slickly-crafted collection of pop numbers that should finally enable the artist the edge at Top 40 radio he deserves"[8]
Stereo Review commented: "The first solo album by Feargal Sharkey was so subtle and understated that much of it barely registered. This time around, he's made a record that cannot go unnoticed. With the help of producer Danny Kortchmar, whose guitar playing is the instrumental heart of the album, Sharkey takes a measured soul turn." The reviewer praised five of the album's tracks as "gems", but then added the rest of material "gets thin". They concluded: "Five out of the ten tracks are hardly memorable, but the good ones are very good".[9]
