Bascom taught at Northwestern, Cambridge University. During World War II, he joined the O.S.S. and together with Ralph Bunche co-authored an unsigned volume, A Pocket Guide to West Africa in 1943.[1]
Post-war, Bascom and his Cuban-born wife, Berta began research into practices of Yoruba origin - such as the Shango cult and Santeria - in Cuba and elsewhere.[2] Berta was a lifelong co-worker with Bascom.[4]
In 1957 he left Northwestern University for the University of California, Berkeley where he become the first director of the Lowie Museum of Anthropology, a post he held until his retirement in 1979.[2][3] Bascom also helped in the creation of the master's degree program at Berkeley in 1965.[1]
Several of Bascom's articles on folkloristics serve as texts in graduate courses in folklore: his essays were regularly anthologised during his career.[1] Published posthumously, Bascom's African folktales in the New World (1992) has been credited with making important contributions to debates around "diffusion and independent invention".[2]
Recognition
Bascom served as president of the American Folklore Society between 1953 and 1954.[5] His two Presidential Addresses were titled "Four Functions of Folklore"[6] and "Verbal Art".[7] His book Ifa Divination: Communication Between Gods and Men in West Africa was awarded the Pitrè Prize.[3]
Four functions of folklore
In a major article published in 1954,[8] Bascom argued that folklore can serve four primary functions in a culture:
Folklore lets people escape from repressions imposed upon them by society e.g.: tall tales
Folklore validates culture, justifying its rituals and institutions to those who perform and observe them.
Folklore is a pedagogic device which reinforces morals and values and builds wit. e.g.: scary stories/moral lessons
Bascom, William R. (1943). "The Relationship of Yoruba Folklore to Divining," The Journal of American Folklore, 56(220), 127–131. [1]
Bascom, William R. (1943). The Sociological Role of the Yoruba Cult-Group. Menasha (Wis.): American Anthropological Association. OCLC601812795.
Bascom, William R. (1947). Ponape: A Pacific Economy in Transition
Bascom, William R. (1954). "Four Functions of Folklore". The Journal of American Folklore. 67 (266): 333–349. doi:10.2307/536411. ISSN0021-8715. JSTOR 536411.
Bascom, William R. (1955). "Urbanization Among the Yoruba," American Journal of Sociology.60(5), 446–454. [2]
Bascom, William R. (1955). "Verbal Art," The Journal of American Folklore, 68(269), 245–252. [3]
Bascom, William R.; Herskovits, Melville J (eds.) (1959). Continuity and Change in African Culture
Bascom, William R. (1964). "Folklore Research in Africa," The Journal of American Folklore, 77(303), 12–31. [4]
Bascom, William R. (1965). "The Forms of Folklore: Prose Narratives". The Journal of American Folklore, 78(307), 3–20. [5]
Bascom, William R. (1969). The Yoruba of Southwestern Nigeria. New York; Chicago: Holt Rinehart and Winston. ISBN978-0-03-081249-1. OCLC715779786.
Bascom, William R. (1969). Ifa Divination: Communication Between Gods and Men in West Africa. Bloomington: Indiana University Press. OCLC929811461.
Bascom, William R. (1973). African Art in Cultural Perspective: An Introduction. New York: Norton. ISBN978-0-393-04368-6. OCLC603357602.
Bascom, William R. (1973). "Folklore, Verbal Art, and Culture," The Journal of American Folklore, 86(342), 374–381. [6]
Bascom, William R. (ed.) (1977). Frontiers of Folklore. Boulder, Colo.: Published by Westview Press for the American Association for the Advancement of Science, Washington, D.C. ISBN978-0-89158-432-2. OCLC3275349.
Bascom, William R. (1980). Sixteen Cowries: Yoruba Divination from Africa to the New World. Bloomington: Indiana Univ. Pr. OCLC263249925.
Bascom, William R. (1992). African folktales in the New World. Bloomington: Indiana University Press. ISBN978-0-253-31128-3. OCLC25048839.