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Warren Du Preez and Nick Thornton JonesWarren Du Preez and Nick Thornton Jones are a London-based photographic and filmmaking duo whose work spans fashion, film, art, scenography and music; together they founded WN Studio.[1] Lives and careersDu Preez, a self-taught photographer from Johannesburg, arrived in London in 1989 and began shooting for magazines in 1992 with his first editorial for The Face magazine. Thornton Jones started his career as an art director. They began collaborating in the late nineties and have worked together ever since.[2] Fashion photography – magazinesDu Preez and Thornton Jones’ work has featured in the fashion magazines I-D; Visionaire; Big Magazine; Numero; V Magazine and The New York Times.[3] Advertising campaignsDu Preez and Thornton Jones have created photography, film and digital campaigns for beauty, fashion and automotive clients including Lancôme; BMW; Pepé Jeans; Schweppes and Perrier Jouët. They have also photographed print campaigns for Issey Miyake; Boucheron; Cartier; Mercedes Benz; Absolut; Hermes; Thierry Mugler and Levi's.[4][5] They were involved in the global campaign visuals for the Louis Vuitton 2022/23 collaboration with artist, Yayoi Kusama. As a part of the project, they created a photorealistic 3D avatar of Kusama, as well as re-imagining and animating her art, for assets showcased and experienced across XR (AR/VR), traditional and anamorphic billboards, gaming and 3D environments.[6] MusicOver the last decade, the duo have worked with Icelandic pop star, Björk, winning the Cannes Lion Grand Prix in 2017 for their virtual reality experience on Björk's NOTGET.[7] They are also collaborators with British DJ, producer and electronic recording artist, James Lavelle and his collective, UNKLE, having directed the art film released for The Lost Highway,[8] as well as music videos for Follow Me Down[9] and The Runaway, from the album Where Did the Night Fall.[10] They have also collaborated with British trip-hop/electro artists, Massive Attack. Fashions shows and scenographyIn October 2007 they devised the theatrical showpiece light installation for La Dame Bleue – the SS08 show from late British fashion designer, Alexander McQueen.[11][12] Filmmaking – art projectsIn 2013 Du Preez & Thornton Jones directed Erebus – a filmic response to British choreographer Russell Maliphant's staging of The Rodin Project, created in tandem with Sadler's Wells theatre, London.[13] Initially previewed at the British Film Institute (BFI), in collaboration with gallerist Siobhan Andrews of Daydreaming Projects,[14] the Erebus project was also exhibited as a film, a series of static artworks as well as an exterior installation during London's Frieze Art Fair, 2013. In 2015 W&N collaborated with Daria Werbowy to produce the animated film ‘ALEPH’ as part of the Creative Review 2015 annual cover.[15][16] In 2017 they won the Cannes Grand Prix award[17] for their VR project Not Get in their collaboration with Bjork with their exec producer Campbell Beaton. In 2019, W&N directed a film for UNKLE's album ‘The Road: Part II (Lost Highway)'.[18] Invoking a female Rōnin, the film centred around a performance by progressive Chinese dancer Maya Jilan Dong, and was shot by Henry Braham, with choreography by Farooq Chaudhry OBE. In 2020, W&N began a visual storytelling process with choreographer and dancer Dickson Mbi, culminating in live-visuals and a film for 'Enowate'.[19] In 2021, W&N, in collaboration with Philip Beesley and Salvador Breed, showcased installation 'Grove Cradle' at the Venice Biennale.[20] Exhibitions
Installations
Books
References
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