Wang Qingsong
Wang Qingsong (born 1966) is a Chinese photographer. Early life and educationHe was born in Daqing, China in 1966, and grew up in Hubei.[1][2] He studied at the Sichuan Academy of Art.[1] He moved to Beijing in 1993.[2] On his background, he said, "I think there are many regional distinctions that I have incorporated into my art. For example, being born in Heilongjiang Province, I remember a lot of Soviet tanks going around when I was three. At that time, China had a confrontation with the Soviet Union. When we moved to Hubei Province, many people were assigned there to work on an oil field that used to be a swamp. In Sichuan, I was in one of the most populous cities in the world and the most important memories were of all the itinerant peasant workers from Chongqing. Then, in 1993, the huge urbanization strive in Beijing also impacted my art. All of these experiences have given me a lot of inspiration."[2] CareerHe began his career as an oil painter, then moved on to photography.[2] He considers himself both a journalist and an artist, saying, "I think it is very meaningless if an artist only creates art for art's sake. For me, the dramatic changes in China have transformed China into a huge playground or construction site. Whenever I go into the city I feel suffocated by the pollution, social contradictions, and so forth. All of these factors contribute to the fact that artists cannot just make art for art's sake. I think it would be absurd for an artist to ignore what's going on in society."[2] His art focuses on political topics such as the government of China. Notable worksSkyscraperIn 2009, the Hammer Museum exhibited his piece Skyscraper:
The Bloodstained ShirtHe works mostly in China, but in 2018, he created the piece The Bloodstained Shirt while visiting Michigan. The University of Michigan Museum of Art, where the piece was shown, wrote of it,
On the Field of HopeHe created his piece On the Field of Hope during the 2020 COVID-19 pandemic. In the summer of 2020, it was on display at the Tang Contemporary Art gallery in Beijing.[5] The gallery wrote that his work "showcases the tension between changing societal realities and human desires, and imaginatively presents the ongoing drama that hovers between fields of the past and hopes for the future."[5] References
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