Walter Howard Rubsamen (July 21, 1911 – June 19, 1973) was an American musicologist specializing in Italian music of the Renaissance, Ballad Opera, as well as music and politics.[1] He was professor of musicology at the University of California, Los Angeles (UCLA).[2]
In 1938, Rubsamen joined the music faculty at UCLA, becoming a full professor in 1955 and serving until his death in 1973. He was chairman of the music department from 1965 until 1973.[5] He was awarded a Guggenheim fellowship twice, once in 1947 and again in 1957,[6] and also earned a Ford Foundation fellowship.[7]
Rubsamen also served as president of the Dante Alighieri Society of Southern California from 1969 to 1970. He died aged 61[8]
Selected publications
"Political and Ideological Censorship of Opera", in: Proceedings of the American Musicological Society (1941), pp. 30–42.
Literary Sources of Secular Music in Italy (Berkley & Los Angeles: University of California Press, 1943).
"Karl Huber of Munich", in: Musical Quarterly 30 (1944), pp. 266–233.
"Music Research in Italian libraries. An Anecdotal Account of Obstacles and Discoveries", in: Notes 6, No. 2 (March 1949), pp. 220–233.
"The Ballad Burlesques and Extravaganzas", in: Musical Quarterly 36 (1950), pp. 551–571.
"Schoenberg in America", in: Musical Quarterly 37 (1951), pp. 469–489.
"Descriptive Music for Stage and Screen", in: Hinrichsen's Musical Year Book 7 (London: Hinrichsen, 1952), pp. 559–569.
"Mr. Seedo, Ballad Opera, and the Singspiel", in: Miscelánea en homenaje a Monseñor Higinio Anglés (Barcelona: Consejo Superior de Investigaciones Científicas, 1958–1961), vol. 2, pp. 775–809.
"From Frottola to Madrigal: The Changing Pattern of Secular Italian Vocal Music", in Chanson and Madrigal, 1480-1530 (Cambridge, Mass.: Harvard University Press, 1964), pp. 51–87.
"The Music for 'Quant'è bella giovinezza' and Other Carnival Songs by Lorenzo de Medici", in: Charles Singleton (ed.): Art Science and History in the Renaissance (Baltimore: Johns Hopkins University Press, 1967), pp. 163–184.
"The Earliest French Lute Tablature", in: Journal of the American Musicological Society 21 (1968), pp. 286–299.
"Unifying Techniques in Selected Masses of Josquin and La Rue: a Stylistic Comparison", in: Josquin des Prez: Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21–25 June 1971 (London & New York: Oxford University Press, 1976), pp. 369–400.
"Irish Folk Music in Midas, a Ballad Burlesque of the 18th Century", in: Report of the eleventh Congress, International Musicological Society, Copenhagen 1972 (Copenhagen: Hansen, 1974), pp. 623–632.
Editions
Jacob Regnart: Puer natus est for six parts (New York, 1968).
Anonymous (16th century): Magnificat on Christmas Carols in four and five voices (New York, 1971).
The Ballad Opera. A Collection of 171 Texts of Musical Plays Printed in Photo-Facsimile, 28 volumes (New York, 1974).
References
^Die Musik in Geschichte und Gegenwart (MGG), biographical part, volume 14 (Kassel: Bärenreiter, 2005), columns 600–601.
^Columbia College (Columbia University). Office of Alumni Affairs and Development; Columbia College (Columbia University) (1960). Columbia College today. Columbia University Libraries. New York, N.Y. : Columbia College, Office of Alumni Affairs and Development.