Thunder features a series of photographic slides of a woman repeatedly covering and uncovering her face with her hands, projected onto the interiors of an empty office building. The images bend and distort against the interior surfaces. Additionally, a long ribbon of light is seen curling and oscillating. The effect of the ribbon of light was produced using long-exposure photography, created frame-by-frame by a person with a flashlight moving throughout the building's rooms during long single-frame exposures.[2][5]
^ abSchlemowitz, Joel (2019). Experimental Filmmaking and the Motion Picture Camera: An Introductory Guide for Artists and Filmmakers. Routledge. ISBN978-1138586598.
^Dahan, Yaron (4 June 2015). "Ghosts of Time and Light: The Experimental Cinema of Ito Takashi". MUBI. Retrieved 17 January 2023. Ito Takashi's second period, which begins with the short film Thunder (1982), adds many of these elements to the experiments of the first: light painting, superimpositions, mystical demons, ghostly voices. [...] Thunder and the other films in this style—Ghost (1984), Grim (1985)—all portray retinal echoes of ghosts and televisions and lights, remnants of abandoned images, accompanied by insidious electronic soundtrack.
^"伊藤高志《フィルモグラフィー》" [Takashi Ito Filmography]. ImageForum.co.jp (in Japanese). Archived from the original on 16 January 2023. Retrieved 15 January 2023.