Thomas BerghuisThomas Jakob Berghuis is a curator, art historian, and former museum director based in Leiden, Netherlands. CareerFrom 2008 to 2013 Berghuis worked as a lecturer in Asian Art at the University of Sydney.[1] From 2013 to May 2015 he was the Robert H. N. Ho Curator of Chinese Art at the Guggenheim Museum in New York City,[2] after which he Berghuis moved to Jakarta, Indonesia to become the first director of the Museum of Modern and Contemporary Art in Nusantara (Museum MACAN), launched in January 2016.[1] Berghuis has been a lecturer in art history with the University of Amsterdam;[3][when?] a Board Member of Framer Framed, a platform for contemporary art, visual culture, and critical theory & practice in Amsterdam;[4] and an honorary principal fellow with the School of Culture & Communication at The University of Melbourne, Australia.[5][when?] Berghuis has curated and co-curated several exhibitions, including Edge of Elsewhere (2010–2012) with the Sydney Festival at 4A Centre for Contemporary Asian Art and Campbelltown Arts Centre, co-curated with Lisa Havilah and Aaron Seeto;[6] Suspended Histories at Museum Van Loon, 2012–2014;[7] Wang Jianwei: Time Temple at the Guggenheim;[8] and Crossing the Tide, the Tuvalu Pavilion for the 56th Venice Biennale.[9] Other rolesBerghuis is a Member of AICA, Australia;[further explanation needed] a Member of ICOM-US;[further explanation needed] and in 2016 Berghuis was nominated as a participant and member of the Global Museum Leaders Colloquium (GMLC), hosted by the director's office at the Metropolitan Museum of Art in New York.[10] He is an editorial board member of the Journal of Contemporary Chinese Art;[11] and diˈvan | A Journal of Accounts (UNSW Press, Australia).[12] His writings have been published in Third Text; Theory, Culture, and Society; Positions: East Asia Cultures Critique; and the Journal of Visual Art Practice.[citation needed] Selected publicationsReferences
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