The album was largely disco-influenced. It saw Midler reunite with producer Arif Mardin and includes Jerry Ragovoy's "My Knight in Black Leather", a minor dance-floor hit that peaked at #70 on the US dance charts.[1] "Married Men", "Hang on in There Baby" and "My Knight in Black Leather", released at the height of the disco era, were all issued as extended mixes on 12-inch singles. The album's title is a humorous play on Cries and Whispers, influential Swedish film-maker Ingmar Bergman's 1973 movie.
While the singles and the album itself were largely overlooked at the time, "Big Noise From Winnetka" has since served as the opening number on many of Midler's tours. The song was originally a swing classic recorded by Bob Crosby and the Bobcats, Gene Krupa and several others in the late 1930s.
The album was released on CD in 1990. A remastered version of the album was released by Atlantic Records/Warner Music in 1995.
The album has received mixed reviews from music critics. Robert Christgau gave the album a C+ and wrote a humorous review in which he wrote that "the songs are pretty good, and when you listen up they get better" but conclude that "the songs aren't that good. And they don't get that much better."[5] Stephen Holden of Rolling Stone wrote that the album "is the most convincing proof yet that Bette Midler is a stage personality in the tradition of Ethel Merman and Liza Minnelli, entertainers whose talents can't be captured in a recording studio either."[7]The Globe and Mail concluded that "the very title of this album alone indicates that Bette Midler is still trying to be better known for being Bette Midler than she is for being a great pop singer, and the music found on the album still shows that she isn't yet sure who or what Bette Midler is supposed to be."[8]
AllMusic's Joe Viglione retrospectively wrote that despite Midler being in fine voice and "such a consistent and dynamic artist" the release is "an uneven album" but "still has its moments."[4]
