Theresa Ferber Bernstein-Meyerowitz (March 1, 1890 – February 12, 2002) was an American artist, writer, and supercentenarian born in Kraków, in what is now Poland, and raised in Philadelphia. She received her art training in Philadelphia and New York City. Over the course of nearly a century, she produced hundreds of paintings and other artwork, plus several books and journals.
Bernstein and her husband William Meyerowitz, who was also an artist, lived and worked in Manhattan and Gloucester, Massachusetts. She painted portraits and scenes of daily life, plus reflections of the major issues of her time, in a modern style that evolved from realism to expressionism. She was active in several art associations and promoted her husband's work as well as her own. Her artworks are found in dozens of museums and private collections in the United States and abroad. She remained active all her life and was honored with a solo exhibition of 110 art works to celebrate her 110th birthday.
Bernstein also authored several books, including a biography of her husband and a journal about their many trips to Israel.
She died in 2002, just a couple of weeks short of her 112th birthday.
Biography
Early life
Theresa Ferber Bernstein was born in Kraków, Poland, on March 1, 1890.[2] She was the only child of Isidore Bernstein, a Jewish textile manufacturer, and his wife Anne (née Ferber) Bernstein, an accomplished pianist.[3][4] The family emigrated to the United States when Theresa was one year old.[5][6][7] She showed an early interest in art[8] and began learning to draw and paint at a young age.[3] As a young woman, she traveled several times with her mother to Europe, where she was impressed by artists of the new Expressionist movement like Wassily Kandinsky, Franz Marc, and Edvard Munch.[4][3]
She met her future husband William Meyerowitz, also an artist, in 1917, and they married in Philadelphia on February 7, 1919.[4][3] Their only child, a girl named Isadora, died in infancy.[12][4] They lived in New York City and began spending summers in Gloucester, Massachusetts in the 1920s. In 1923, the couple traveled abroad together.[3]
In the beginning, Bernstein's sales and reviews were far better than her husband's, but over time, her reputation waned due to a decreased interest in realistic subjects,[6] even though they presented themselves as a "painting couple." During the Great Depression, Bernstein and her husband continued to teach in their studios in Manhattan and Gloucester and sold graphics to supplement their income.[3] They became involved in the Zionist movement, and after the establishment of the State of Israel, they visited the country 13 times over 30 years.[8][3] Until her husband's death in 1981, Bernstein promoted his artwork while creating her own.[15] She stated that she did not feel it necessary to compete with him, as she was not competitive by nature.[3]
Bernstein and Meyerowitz were close to two of their nieces, Laura Nyro and Barbara Meyerowitz (aka Barbara DeAngelis), and supported their musical education.[5][6] Following the death of her husband, Bernstein developed a close relationship with DeAngelis' youngest son, Keith Carlson, who documented their relationship for a website in the artist's name that was created by the City University of New York.[16]
Death
Bernstein and her husband lived for many decades in a rent-controlled loft-style studio apartment at 54 West 74th Street on the Upper West Side of Manhattan, just one block from Central Park West. This studio was her home at the time of her death on February 12, 2002, at Mount Sinai Hospital, shortly before her 112th birthday.[17][6]
Career
Artistic style and subject matter
In 1913, Bernstein attended the Armory Show,[14][3] the first large exhibition of modern art in America. Bernstein admired the style of Robert Henri, founder of the Ashcan School of American realism, and his way of depicting the everyday drama of the city. She was also influenced by John Sloan, Stuart Davis and others of the movement.[8] According to art historian Gail Levin, Bernstein was for a time more popular than well-known realist Edward Hopper, although Bernstein's style over time tended more toward expressionism.[7] However, unlike abstract artists, Bernstein remained committed to figuration, choosing always to connect with real life and people.[18][14]
Early reviewers praised her "man's vision," while recent scholars have found that she had a "decidedly feminine sensibility."[4][19] In the male-dominated art world of her time, Bernstein, like many women artists, was frequently overlooked. To try to avoid discrimination, she often signed her works using "T. Bernstein" or just her surname.[20][21][22]
1998: Theresa Bernstein: A Seventy-Year Retrospective, Joan Whalen Fine Art, New York City[21][27][28]
2000: Theresa Bernstein: An Early Modernist – Solo exhibition of 110 of Bernstein's art works held to celebrate her 110th birthday and attended by the artist, Jo-An Fine Art in New York City.[23][21]
2014: Theresa Bernstein: A Century in Art: Retrospective exhibition of 44 of her works from public and private collections, organized by art historian Gail Levin, Franklin & Marshall College in Lancaster, Pennsylvania.[7]
In all, Bernstein had more than 40 solo exhibitions over her lifetime.[4]
Legacy
Visual arts
Among Bernstein's hundreds of works are the following of particular interest:
Gypsy (1909), one of her earliest paintings, which was in the New York Realist style.[3]
The Readers (1914), based on her many hours spent at the New York Public Library, reading and sketching the people around her.[22]
Self-Portrait (1914), showing the influence of Fauvism yet still in the American realist tradition[29]
Girlhood (1921), a portrait typical of her 1920s work.[30] The painting was purchased for the Phillips Collection, formerly called the Phillips Memorial Gallery, by Duncan Phillips, her first museum patron, in 1923.[10]
An extensive gallery of Bernstein's paintings is available on the City University of New York website devoted to her life and work.[32] See External links below.
Collections
Bernstein's artwork is held by a number of museums and other permanent collections, including:
^ abcdWhalen, Joan (June 26, 2013). "Remembering Theresa: Joan Whalen". Theresa Bernstein. City University of New York. Archived from the original on July 21, 2021. Retrieved July 21, 2021.
^"WPIX News – February 28, 1998". Theresa Bernstein. City University of New York. November 27, 2013. Archived from the original on July 22, 2021. Retrieved July 22, 2021.