The Rocking Carol
"The Rocking Carol",[1] also known as "Little Jesus, Sweetly Sleep"[2] and "Rocking",[3] is an English Christmas carol by Percy Dearmer. It was translated from Czech ("Hajej, nynej, Ježíšku")[4] in 1928 and is performed as a lullaby to the baby Jesus. HistoryThe carol was first published in an anthology in 1920 in Czechoslovakia, where it was described as a traditional Czech carol.[1] It was loosely translated into English by Percy Dearmer,[1] as part of his effort of resurrecting hymns that had fallen into disuse and introducing European hymns into the Church of England.[1][self-published source] The carol is sung in the form of a lullaby to Jesus while rocking the manger as if it were a more modern cradle,[5] as noted by the repetitive chorus of "We will rock you".[6][7] It was first published in The Oxford Book of Carols, which Dearmer had edited alongside Martin Shaw and Ralph Vaughan Williams, in 1928.[1] After initial publication, the carol gradually decreased in popularity until the 1960s when the English actress Julie Andrews performed a commercially released version of it.[8] Following this, it was published in Carols for Choirs by Reginald Jacques and David Willcocks.[9] Description"The Rocking Carol" consists of two verses with eight lines each.[10] It is performed with a 10.7.8.8.7.7 metre.[2] The hymn continues to be published within Church of England and Anglican hymnals.[7] The hymn has been described as the quintessential lullaby carol compared with similar wording lullaby Christmas carols of "Silent Night" and "Away in a Manger" as hymnologists opine that the lyrics and melody both strongly suggest the rocking of a cradle.[5][needs copy edit] Melody and wordsThe original Czech word are: 1. Hajej, nynej, Ježíšku, 2. Hajej, nynej, miláčku, The English words are a poetic translation.
CriticismAfter publication, the final line of the carol met with dissatisfaction, with a number of hymnal editors altering it from "Darling, darling little man" to "Son of God and Son of Man".[1] Barry Cooper has argued that it has only minor biblical references and is written without theological content and "painting a wholly imaginary scene".[12] References
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