The Road to Oxiana
The Road to Oxiana is a travelogue by the explorer Robert Byron, first published in 1937. It documents Byron's travels around Persia and Afghanistan, and is considered one of the most influential travel books of the 1930s. The word "Oxiana" in the title refers to the ancient name for the region along Afghanistan's northern border. PlotThe book is an account of Byron's ten-month journey in the Middle East, Afghanistan and India in 1933–34, partially in the company of Christopher Sykes. It is in the form of a diary with the first entry "Venice, 20 August 1933" after which Byron travelled by ship to the island of Cyprus and then on to the countries of Palestine, Syria, Iraq, Iran and Afghanistan. The journey ended in Peshawar, India (now part of Pakistan) on 19 June 1934, from where he returned to England. The primary purpose of the journey was to visit the region's architectural treasures of which Byron had extensive knowledge, as evidenced by his observations along the way. For example, he says of the Mosque of Sheikh Lutfullah, now listed as a World Heritage Site by UNESCO:
Byron interacted with the locals and negotiated transport, including motor vehicles, horses and asses to carry him on his journey. He encountered heat, cold, hunger and thirst and suffered the inconvenience of bugs, fleas, lice and physical illness. List of places visited in The Road to OxianaRobert Byron's journey in this book starts with the first entry on 20 August 1933 and ends on 8 July 1934. The following are the places that have entries in the book (NB spellings used by the author sometimes differ from contemporary usage):
Reception and reviewsThe writer Paul Fussell wrote[2] that The Road to Oxiana is to the travel book what "Ulysses is to the novel between the wars, and what The Waste Land is to poetry." The travel writer Bruce Chatwin in his introduction to the book has described it as "a sacred text, beyond criticism,"[3] and carried his copy since he was fifteen years old, "spineless and floodstained" after four journeys through Central Asia. C. H. Sykes described this book as "an inquiry into the origins of Islamic art presented in the form of one of the most entertaining travel books of modern times" and added that it was "written with such charm and gaiety that most contemporary readers did not recognize it as a serious and original contribution to Islamic studies".[4] References
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