The Obsidian Conspiracy is the seventh and final studio album by American heavy metal band Nevermore. It was released on June 8, 2010, in North America by Century Media[10] and at the end of May in Europe.[11] The band's previous album, This Godless Endeavor, was released in 2005, making the five-year gap the longest between two consecutive Nevermore albums.
The Obsidian Conspiracy was met with generally positive reviews. It was the band's first album to chart in Austria, Belgium, the United Kingdom, and the United States Billboard 200. The band went on an indefinite hiatus following the departure of guitarist Jeff Loomis and drummer Van Williams in mid-2011. Subsequently, the death of frontman Warrel Dane in 2017 ended any possibility of a reunion, making The Obsidian Conspiracy the last studio recording by Nevermore.
Writing and recording
Nevermore, having written 13 new songs, entered Wichers Studio in North Carolina in August 2009 to record the album. Van Williams completed recording the drumming on the album by August 17 in Seattle. The entire recording process was finished in October.
Warrel Dane commented on the writing process: "These songs are full of newfound rage, lyrically and musically. Jeff Loomis has come up with some amazing new riffs that will no doubt please old and new fans alike. Also, I think the combination of Peter and Andy (production and mixing) will result in something very, very special."[12]
Jeff Loomis commented on the writing of the album: "I think that with the new Nevermore, it still sounds like the band, but I think I'm giving Warrel a little bit more room this time around for more vocals rather than all the notey, kind of complex stuff and all that. So this time around, it's just a little bit more wide open musically for him to really be able to do whatever he wants vocally. So we'll see what happens. It's gonna be an interesting album for us, for sure."[13]
Loomis also stated that Peter Wichers had a major role in the songwriting, encouraging him to "cut out the fat and make the songs catchier and hookier," thus creating a simplistic and stripped-down sound that differs from the original 7–8 minute complex tracks Loomis initially wanted to record.[14]