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The Ice Break
The Ice Break is an English-language opera in three acts, with music and libretto to an original scenario by Sir Michael Tippett. The opera received its premiere at the Royal Opera House, Covent Garden on 7 July 1977, conducted by Colin Davis, the dedicatee of the opera.[1][2] One meaning of the opera's title is a reference to the actual physical breaking of ice on the frozen northern rivers, signaling the advent of spring.[3] The composer has said that the subject of the opera is "whether or not we can be reborn from the stereotypes we live in." John Warrack has noted that the work "confronts questions of stereotype on a wider scale" compared to Tippett's earlier operas, and also in a contemporary setting.[4] Tippett himself put this line on a preface page to a published score of the opera, the opening of François Villon's Ballade des pendus::[5]
Performance historyA German translation was given at the Kiel Opera House the year following its premiere. The Opera Company of Boston staged the work in May 1979 for 3 performances,[6] under the direction of Sarah Caldwell, in the first professional production of a Tippett opera in the USA.[7][3] Covent Garden revived the opera in the same year, but was not thereafter seen until a 1990 concert production at the Henry Wood Proms in the Royal Albert Hall in 1990. A recording was made with the 1990 cast. Birmingham Opera Company, in partnership with 45 arts and social organizations in Birmingham who provided the amateur actors to perform in the many crowd scenes in the opera, gave the second UK and third in total production of the opera, in five promenade-style performances of the opera in the B12 warehouse in the Digbeth area of central Birmingham, in April 2015.[8] Graham Vick directed the production, with the Birmingham Opera Company Chorus and the City of Birmingham Symphony Orchestra conducted by Andrew Gourlay.[9] Roles
SynopsisPrior to the action of the opera, Nadia had emigrated with her baby son, Yuri, after her husband, Lev, had been sentenced to the prison camps of Russia. Act 1The opera opens in an airport lounge, where Lev, a Russian dissident, arrives to join his wife, Nadia, and his son, Yuri, in the West in exile after 20 years in prison. In the airport also are Yuri's girlfriend Gayle and Gayle's friend Hannah, who are also waiting the arrival of the black athlete, Olympion, a Muhammad Ali-like character. Lev and Olympion separately arrive. Lev reunites with Nadia and Yuri, but Yuri feels distant from Lev, since he has never met his father as an adult. In the meantime, Gayle throws herself at Olympion, which angers Yuri and causes him to attack Olympion, who knocks him down. Back at home, Yuri expresses anger at his father. Act 2Among Olympion's fans, there are gang rivalries which crystallise into a conflict between blacks and whites. Gayle and Yuri wear masks and blend into the masked white chorus, while the same is true on the black side for Olympion and Hannah. The conflict explodes into a mob riot, and Olympion and Gayle die in the violence. Yuri is barely alive and is taken to hospital. Act 3Nadia, on the brink of death, asks Hannah to take care of Lev. In an interlude, the psychedelic messenger Astron has appeared, and a drugged-out crowd hails him as a saviour. Astron dismisses this and disappears. Back in the hospital, Yuri has undergone successful surgery, and is totally encased in a plaster cast. The cast is cut away, and Yuri stands. Yuri eventually embraces his father. Recordings
References
Further readingThe Operas of Michael Tippett (English National Opera/Royal Opera Opera Guide 29), John Calder, 1985. ISBN 0-7145-4061-7.
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