The Bow Project
The Bow Project is a double album of studio recordings by the Nightingale String Quartet of Denmark, and historic field recordings of uhadi songs by Nofinishi Dywili from Ngqoko (Eastern Cape, South Africa), released in 2010. Each of the twelve string quartets, by a different composer, is based on a song by Dywili. ConceptThe Bow Project invited South African, and later Faroese, composers to transcribe and paraphrase or reimagine, for the classical string quartet, the uhadi songs of Nofinishi Dywili. Composers based their transcription on the field recordings of ethnomusicologist Dr Dave Dargie, made between 1980 and 2002. The medium of the string quartet was seen as providing a perfect bridge between the world of traditional bow music and the world of new classical music. The Bow Project was launched at the New Music Indaba in 2002, and new works premiered at subsequent festivals. A South African tour in 2009 was followed by the CD production. Each concert included performances of the uhadi songs interpreted by musicians of the next generation, namely Madosini and Mantombi Matotiyana. The project is dedicated to the memory of Nofinishi Dywili who died in 2002. According to Dargie, Dywili possessed "exceptional rhythmic skill… whatever of the marvellous and complex rhythms there were in any of the songs – 10-vs-8 cross-rhythms or whatever – Nofinishi would also effortlessly bring in greater rhythmic complexity, making the songs even more wonderful."[1] CompositionsThe Bow Project contains 26 compositions: ten string quartets by South African, and two by Faroese, composers; twelve performances of eight different uhadi songs; a short electronic bowscape; and a studio remix of one of the quartets. The compositions represent a broad range of contemporary compositional styles drawing on jazz and blues, rock, choral music, African traditional music, European new music including electronica, and American experimental music. InstrumentationIn addition to the string quartet, two variants of the one-string calabash bow from South Africa can be heard, most notably the Xhosa uhadi from the Eastern Cape and the Zulu ughubu from KwaZulu-Natal. The ughubu (as well as some percussion) is featured on Track 6 of the first CD, in combination with the string quartet. ReceptionGwen Ansell, in the Mail & Guardian, felt that the "project reinvigorates traditional bow music",[2] while Ashraf Jamal, wrote in artsouthafrica: "Part trance, part devotion, part joy in the free-fall then sudden hovering of sound, the experience provided an ek-stasis, literally an outer-body experience."[3] Track listingCD 1
CD 2
Musicians
Production
ReferencesExternal links |