A "telesma" is either a talisman or the energy with which a talisman is charged. The band often performs at festivals and other venues across the country, mostly in the Eastern half of the United States.
Mike Kirby (drum kit, percussion, electronic drums)
Additional artists/performers:
Indra Lazul (belly dancers)
Patricia Tamariz (body painter)
Adam Scott Miller (visual artist)
Alex & Allyson Grey (visual artist)
Jeremy Opio (visual artist)
Biography
Telesma's sound, often labeled “electro-acoustic psychedelic world dance music”, is driven by the ancient sound of the didgeridoo, the kubing (bamboo mouth harp), tribal drums and percussion, and the human voice.[citation needed] The group's work include albums “O(h)M” (2007), “Hearing Visions: Live” (2009), “Action In Inaction” (2012), and five song EP “Decade Dance” (2014) all released on their independent label “Strangely Compelling Music”.[1]
Collaborations
Telesma has collaborated with several other artists. They co-created the 2008 Visionary Gathering in Baltimore with Alex Grey, releasing a CD and DVD of the event entitled Hearing Visions: Live, and worked on other projects with him at The Chapel of Sacred Mirrors (CoSM).
From 2010–present, Telesma collaborated with visual artist Adam Scott Miller on creating video content for their live projection show. As well as having Adam paint live with the band on several occasions. In 2012, Adam created the "LOTUS-CHAIN" video project which includes 3 videos for the Telesma songs "Chain", "White Lotus" and a 3rd song TBA.
Music Box: Baltimore Band Telesma Setting the Country on Fire by Michael Buckley, April 19, 2012, Capital Gazette[5]
Telesma by Dana Sobel, September 9, 2011, On the Verge: Relix Magazine
Telesma Channels the Spirit, March 22, 2010, The Painting Queen[6]
Telesma LOVEfest by Justin Allen, February 16, 2011, What Weekly[7]
What do Didgeridoo, Dumbeks, Kubings and Karatalas Have in Common? by Debbie Snyder, Lehigh Valley InSite[8]
World Beat is Not Enough: Baltimore’s Telesma Digs into the Elusive Vibes of Indigenous Music by Robbie Whelan, January 5, 2005, Baltimore City Paper[9]
