Radok’s writing about art is linked to memoir and the everyday, lyrical passages and descriptions of artworks. Radok’s writing was first published in the art magazine Unreal City,[4] which she founded with eX de Medici in 1986 in Canberra.[5] She has written many catalogue essays including a notable one for Hossein Valamanesh titled Fingers of Memory.[6]
Her work has been exhibited in group exhibitions from 1977, with an artwork in The Women’s Show held by the Women's Art Movement in Adelaide in 1977.[7] A major survey exhibition titled The Sublingual Museum was held at the Flinders University Museum of Art in 2011.[8]
Radok is the co-author of a book published in 2007 on leading contemporary Australian jeweller Julie Blyfield.[9][10]
In 2012 Radok’s book An Opening: twelve love stories about art was published by Wakefield Press. It was long listed for the inaugural Stella Prize for writing by women, and was widely reviewed.[11]
"Radok shows how art reaches deeply into our lives in unexpected and ordinary ways: the tattered calendar cutting kept for decades and left behind in a photocopier, the postcard stuck to a laundry wall, or the persistent memory of something, seen perhaps only briefly, that alters one’s thinking utterly." Dr Michele McCrea,[12]Transnational Literature.[11]
Radok’s second memoir, Becoming a Bird, was published in March 2021.[13] In 2022 Radok wrote a piece of prose titled Under the Bed published in Heat.
Selected solo exhibitions
2020 The Museum of Domestic Botany, Fabrik,[14] Lobethal, SA
2017 A Prospect of Prospects, Prospect Gallery, SA
2011 The Sublingual Museum,[15] Flinders University City Gallery
2004 Brightness falls from the air, N Gallery, South Australian School of Art, SA
2004 Shalom, Nexus Window, Adelaide, SA
2003 The Weight of Words, South Australian Museum
2003 Migration and local knowledge, Gabriel Gallery, Melbourne, Victoria
2002 Talking about country, Adelaide Botanic Gardens, Adelaide, SA
1999 Her native tongue, Gallery Spain, Contemporary Art Centre, Adelaide, SA